Patient voice-parceling in practicing Beethoven’s Adagio Cantabile (Sonata “Pathetique”)

Some piano students view playing a choir of voices with a rich bed of sustain pedal as an un-delayed gratification. It’s an icing on the cake indulgence that often eludes the main course of diligent, attentive, and analytical practicing.

A case in point is Beethoven’s hauntingly beautiful, Adagio movement of the “Pathetique” Sonata, Op. 13, with its layer of voices that begs for a satisfying exploration.

Beethoven Adagio Cantabile segment

From my perspective, the composer’s mosaic is best assimilated through a careful voice-parceling process that invites a sensitive awareness of harmonic rhythm and balance–first among treble, tenor and bass lines, but quickly blossoming into a 4-voice effusion. (Soprano, Alto, Tenor Bass). In a variation-like unfolding, Beethoven eventually adds a rhythmic variant with a triplet underpinning, while he fleshes out a melancholic melody that’s always draped in lush harmonies, moving as chains of broken chords within the texture. And as a core of underlying support, a soulful bass meanders with flowing, cello-like expression.

***

In the attached teaching video, I examine a recommended layered-learning approach to Beethoven’s middle movement by individualizing voices, then permuting them, so they’re understood in relation to each other before being integrated into a developed whole. In this step-wise journey to musical unity bundled in patience and slow tempo framing, a newfound ecstasy is experienced that’s tied to a deep well of understanding.

(Note: The contrasting, mood-shifting middle section in the parallel minor is not explored in this segment.)

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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3 Responses to Patient voice-parceling in practicing Beethoven’s Adagio Cantabile (Sonata “Pathetique”)

  1. Pingback: Patient voice-parceling in practicing Beethoven’s Adagio Cantabile (Sonata “Pathetique”) | Henry Tan

  2. Pingback: Patient voice-parceling in practicing Beethoven’s Adagio Cantabile (Sonata “Pathetique”) | Liv Morales

  3. Pingback: Patient voice-parceling in practicing Beethoven’s Adagio Cantabile (Sonata “Pathetique”) – Burning Bushes Music

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