In a lifetime, a few flashing moments of inspiration may guide our musical journey, deepening our understanding of a composer and his music. In this nostalgic universe of enlightenment, I treasure a precious parcel of wisdom imparted by gifted pianist/teacher Irina Morozova at the Special Music School in Manhattan, 2014. In a private sitting with… Continue reading Music and Words Revisited in Chopin’s compositions
In the course of three piano lessons, spacing, shaping, voicing/balance, grouping, harmonic rhythm analysis, relaxed breathing, singing tone and pulse, etc. were resonating interdependently through beautiful phrases. And with the introduction of two minor scales as a springboard to the repertoire segment, the SPACING of notes, without anticipation or anxiety with a lightness of being… Continue reading The Ingredients of beautiful phrasing
Into her seventh month of music study, Liz has more clearly defined her approach to practicing various pieces by devising a well-written outline of phrase-loving reminders. And though her vocabulary is an understandable offshoot of her teacher's, with its emphasis on floating, flowing wrists, side-by-side with "pokey" finger prohibitions, she manages to offer an original… Continue reading A 9-year-old piano student devises a plan to improve her practicing
I recall my beloved teacher, Lillian Freundlich, teaching me how to play singing tone, legato octaves through a process that separated the upper fingers, 4 and 5, from the lower thumb progressions. She would not advance to the actual octave spread until voicing between upper and lower notes was separately clarified and each line was… Continue reading Piano Technique: Playing Lyrical Legato Octaves
Arioso7's Blog (Shirley Kirsten) 