In the course of three piano lessons, spacing, shaping, voicing/balance, grouping, harmonic rhythm analysis, relaxed breathing, singing tone and pulse, etc. were resonating interdependently through beautiful phrases. And with the introduction of two minor scales as a springboard to the repertoire segment, the SPACING of notes, without anticipation or anxiety with a lightness of being dimension, (think “clouds under the arms”) encouraged a limpid expression of horizontally floating notes in legato. (smooth and connected)
Because a step-wise progression in D-Sharp minor (contrary motion) required a preparatory BLOCKING phase that encouraged Note GROUPING, as opposed to up/down, single note-note vertical playing, the student could transfer this particular awareness to her Chopin Waltz in B minor, Op. 69, No. 2. The Relaxed breathing aspect of playing scales without a temptation to grab, squeeze, lunge at or ANTICIPATE NOTES, complemented expressively rendered, poetic lines that permeate Romantic era compositions. (The SINGING TONE as the underpinning)
A video evolved as a synthesis of ideas that arose from an initial exploration of SPACING that enlarged upon itself as various elements of phrasing flowed together in harmony.
PS An added extract from the technique portion of a piano lesson that addressed SPACING.