Piano Technique: Creating an illusion of legato

It’s a challenge to play scales, arpeggios, and passages lifted out of the mainstream Classical piano repertoire with a well-shaped and nicely spaced legato. (smooth and connected playing) But it can be more daunting to navigate particular sections of masterworks that have legato markings over chords, for instance, that carry a melodic thread that is impossible to realize seamlessly without compromise, and a shift in consciousness.

By example, I refer to Beethoven’s Fur Elise, measures 62-68, that’s easily characterized as a “stormy” section with its relentless tremolo in the (Bass) Left Hand, while the Right hand above, has the task of “voicing” chords that carry a haunting melody in the soprano. In order to obey the notation of slurs over a procession of chords, thirds, and sixths, with a melody to flesh out at the very top, the player has to devise a means of preserving a smooth melodic flow, by letting go of certain fingers in deference others.
beethoven-fur-elise-stormy-section-1

The sustain pedal is pivotal to the whole undertaking, because it can hold down elements of chords that would otherwise be missing or lost in the prioritizing of melodic movement in the uppermost voice. However, the pedal cannot replace a well thought out finger-connecting strategy that shores up the legato, albeit with some missing ingredients in lower voices, that will be filled in by well-conceived pedaling.

In the attached video, I model an approach to the “stormy” section that creates an illusion of legato by demonstrating fingering choices in concert with maneuvers of the arm, wrist, and hand.

About arioso7: Shirley Kirsten

International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR http://www.youtube.com/arioso7 or at FACEBOOK: Shirley Smith Kirsten, http://facebook.com /shirley.kirsten TWITTER: http://twitter.com/arioso7 Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches
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3 Responses to Piano Technique: Creating an illusion of legato

  1. Pingback: Piano Technique: Creating an illusion of legato | Henry Tan

  2. Pingback: Piano Technique: Creating an illusion of legato | Liv Morales

  3. Pingback: Piano Technique: Creating an illusion of legato – Burning Bushes Music

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