No need to say Play it Again Sam, to Sam P. who’s been a super dedicated piano student ever since he approached me for lessons in Berkeley, nearly 4 years ago. And if we factor in a significant interruption of instruction due to Sam’s Acrosonic Console having been shipped to London when his company transferred him to Europe in 2014, he’s left with about 3 solid years of study. Along the way, we’ve doubled up on lessons to accommodate his rigorous travel schedule that includes departures to India, Abu Dhabi, Saudi Arabia, Amsterdam, Dubai, etc, with a Tanzania Safari thrown in.
Sam has a meticulous approach to practicing. He relishes a deliberate and thorough journey through his assigned compositions that includes parceled, layered learning and he has no affixed deadline in his explorations. Most of all, he appreciates the process of musical discovery; how it spills over into other life activities, such as Chess for which he has a passion. He observes “patterns” in his pieces that have a direct tie-in to the game.
I had a chance to interview Sam about his piano studies after he landed back in London from Abu Dhabi. Since he’s working on Beethoven’s “Fur Elise,” a crown jewel piece for many students, I decided to separately include excerpts from his most recent lesson that focused on rhythmic unity between sections. Viewers will notice Sam’s earnest and methodical approach to this composition, that also infuses an awareness of the singing tone and how to produce it. He’s been working assiduously on relaxing his arms and wrists, while shaping phrases within a vocal model. For a time, Sam took singing lessons, until his travels made it nearly impossible to focus seriously on voice AND piano. I’m glad he gave the PIANOFORTE top priority!