Category: Analysis of a Bach Fugue

Analysis of a Bach Fugue, Bach imitiation, Baroque music, blog, blogger, blogging, counterpoint, imitative counterpoint, J.S. Bach, J.S. Bach Fugue in C minor BWV847, J.S. Bach Well Tempered Clavier, music theory, New York City High School of Performing Arts, New York University, Oberlin Conservatory, phrasing at the piano, pianist, piano, piano instruction, piano lessons, piano practicing, piano technique, piano tutorial, Piano World, pianoaddict.com, Pianostreet.com, playing piano, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, talkclassical.com, Theory, Well Tempered Clavier, whole body listening, whole body music listening, word press, wordpress.com, you tube, you tube video

Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

arioso7: Shirley Kirsten

http://youtu.be/ii0KsFQjGNA This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative… Continue reading Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)