Many piano students who practice Debussy's Arabesque no. 1 tend to grab and articulate notes, rather than let them flow from energy streaming down relaxed arms into supple wrists. Reliance on fingers-down playing becomes the panacea for accuracy, while it sacrifices poetic musical expression. In the video below, I demonstrate how phrases can be sculpted… Continue reading Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)
Category: arpeggios
Tutorial: Shared ideas about practicing J.S. Bach Invention 13 in A minor (BWV 784) Videos
As I observed an 11-year old student work on this Invention at lessons, I came up with some ideas to improve the performance landscape. These included an awareness of the dualism of rolling arpeggiated 16ths and detached 8th notes in the opening. More often than not, the arpeggios can sound too flat if the whole… Continue reading Tutorial: Shared ideas about practicing J.S. Bach Invention 13 in A minor (BWV 784) Videos
Piano Lesson: Shaping scales and arpeggios with syllables and tempo prompts (Video)
In this video segment, a 10-year old student warmed up with 3 forms of the D minor scale played in contrary motion in 16ths followed by 32nds. Syllable prompts helped shape these and kept them rhythmically framed. (Tempo variations were enlisted to smooth out playings) With arpeggios, we usually chunk "tunnels" through which the thumb… Continue reading Piano Lesson: Shaping scales and arpeggios with syllables and tempo prompts (Video)
The Complete Piano Work-out in 3 parts (Videos)
Most of my late intermediate and advanced students know the routine at lessons. The first twenty minutes are spent warming up in the Key they've been assigned the previous week. Once seated at the piano, they're ready for a challenging kinetic whirl around the keyboard as scales and arpeggios dance through the cosmos in various… Continue reading The Complete Piano Work-out in 3 parts (Videos)
Piano Technique: Rolling out a four-note E minor arpeggio in all inversions (using a supple wrist and relaxed arm)-Video
The key to achieving fluidity in playing these arpeggios, is having a relaxed arm and supple, "spongy" wrist. The wrist, I would add is a SPRING, or shock absorber. If you freeze your wrist, you might as well play the piano with a pencil. I dip my wrist with each inversion, and I roll into… Continue reading Piano Technique: Rolling out a four-note E minor arpeggio in all inversions (using a supple wrist and relaxed arm)-Video
How long should a piano student stay with a piece?
As a teacher, I've often pondered this question, concluding that there are varying answers which depend on the advancement and motivation of individual students. Certainly no fixed formula addresses the length of time a pupil needs to fully realize his potential when practicing a given composition. By way of example, I have an adult student,… Continue reading How long should a piano student stay with a piece?
Piano Technique: Thumb Shifts in Playing Scales and Arpeggios (Video)
http://www.youtube.com/watch?v=Lk7Bnd6xD9Y The great pianist, Josef Hofmann, imparted words of wisdom when he answered the following question posed by a student that related to the thumb and piano technique: "What is the matter with my scales? I cannot play them without a perceptible jerk when I use my thumb. How can I overcome the unevenness?" The… Continue reading Piano Technique: Thumb Shifts in Playing Scales and Arpeggios (Video)
Teaching Chopin’s Gb Etude, Op. 25 no. 9: Think pogo sticks, “rollaleedles,” and elbow revolutions
http://www.youtube.com/watch?v=4mvDKuMLEl4 Sometimes a piano teacher has no choice but to talk in silly made up syllables while drawing on playground analogies to get a particular piece off the ground. The Chopin Etude Op. 25 no. 9 in Gb was no exception. An adult student who revisited this warhorse responded positively to "rollaleedles," elbow taps, and… Continue reading Teaching Chopin’s Gb Etude, Op. 25 no. 9: Think pogo sticks, “rollaleedles,” and elbow revolutions
Piano Instruction: A Slow Practice Approach to the Schubert Impromptu Op. 90, no.2 in Eb Flat Major (Video)
In Tempo reading: http://www.youtube.com/watch?v=VHFOPFzUxUw Slow practice build-up approach: http://www.youtube.com/watch?v=p8AYC4WemeE This Romantic era Impromptu will always benefit from the type of slow practicing that permits careful shaping of phrases, attention to dynamics and other nuances. In the video, I magnify the contours of the work through a deliberately behind tempo approach. Many students will say, that… Continue reading Piano Instruction: A Slow Practice Approach to the Schubert Impromptu Op. 90, no.2 in Eb Flat Major (Video)
Letting my hair down with a snatch of “Let It Be!” (VIDEO)
The piano room was a mess yesterday with music strewn about. Two '60-'70's era Beatles albums were excavated from a pile of sheet music, hard bound theory texts, and Urtext editions of Beethoven's sonatas. Foraging a big carton of stuff like this was a trip down memory lane. My very old Yamaha guitar, a prized… Continue reading Letting my hair down with a snatch of “Let It Be!” (VIDEO)
