Category Archives: Baroque keyboard music

Piano Technique: Be a Blockhead when learning Bach

Blocking techniques can help to solidify tricky passages in Bach’s A minor Invention (13), especially if intelligent decisions are made about landscaping broken chords with thumb shifts weaving through them. Examining measures 9 through 13 for example, I devised a … Continue reading

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Playing J.S. Bach: Sing, Shape, and Phrase—it’s not rocket science

Having been submerged for 48 hours in mega-science minded theories of playing the piano, I managed to E-merge as the piano teacher I knew before the deluge–refusing to believe that my fingers are throwing hammers at the strings, or obeying … Continue reading

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An in depth “Over”-view of J.S. Bach Little Prelude in C Minor, BWV 934

This evening I prepared a video supplement for an adult student who brought the gorgeously woven Little Prelude in C minor (BWV 934) to his first lesson. Since I had studied this work at the suggestion of another student, from … Continue reading

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My Favorite J.S. Bach Little Preludes

I’ve been practicing a slew of them at the instigation of a go-getter Skype student who sends these in droves. It means I have to set everything aside and dive in, to keep up with the turnover. I had one … Continue reading

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A J.S. Bach Little Prelude: Making decisions about phrasing and articulation

The Urtext (original) editions of Bach’s keyboard music offer sparse directions about phrasing/articulation, (groupings of notes) so the player has to make important decisions that reflect a Baroque style. But what are the guidelines in a process that has an … Continue reading

Posted in Angela Hewitt, Baroque keyboard music, Baroque keyboard music phrasing, Glenn Gould, J.S. Bach, J.S. Bach Little Prelude in C minor BWV 934, piano, playing piano, Shirley Kirsten, Shirley Smith Kirsten, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , | Leave a comment

Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach

The Pastorale in D, included in Margery Halford’s Scarlatti, An Introduction to his Keyboard Works, poses significant musical challenges. In the technical realm, the composer has a tricky landscape of two-note legato figures as offbeats in the treble, and these … Continue reading

Posted in Baroque keyboard music, classissima, classissima.com, Domenico Scarlatti, Journal of a Piano Teacher from New York to California, Margery Halford Scarlatti an Inroduc tion to his Keyboard Works, pianist, piano, piano instruction, piano lessons, Piano Street, Piano World, playing piano, POWHOW.com, Scarlatti Pastorale in D K. 415, Shirley Kirsten, Shirley Smith Kirsten, teaching the works of Domenico Scarlatti, The art of phrasing at the piano, the art of piano playing, video piano instruction, videotaped piano instruction, virtual piano lessons, virtual piano teaching, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube video, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments