Category Archives: Baroque music

Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)

My journey through the Baroque master’s Fugue no. 12 has been a labor of love though the form enshrined by J.S. Bach can be intimidating by its structural nit-pickings. Wikipedia, for example, cites BWV 847 in C minor, (the Fugue) … Continue reading

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Teaching J.S. Bach

As mentors immersed in a two-way sharing process with students, we’re grateful for opportunities to delve deeply into the masterworks. One companion traveler of mine dotes exclusively on the music of J.S. Bach, preferring this singular journey to any other. … Continue reading

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Playing J.S. Bach: Sing, Shape, and Phrase—it’s not rocket science

Having been submerged for 48 hours in mega-science minded theories of playing the piano, I managed to E-merge as the piano teacher I knew before the deluge–refusing to believe that my fingers are throwing hammers at the strings, or obeying … Continue reading

Posted in adult piano instruction, Baroque keyboard music, Baroque music, BWV 816, Classsical music blog, French Suite in G BWV 816, J.S. Bach, Journal of a Piano Teacher from New York to California, piano, piano blog, piano lesson, Shirley Kirsten, word press, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Shame on WQXR F.M. for shining a spotlight on Kids’ dislike of Bach’s music

I can’t fathom why a historically great NYC-based Classical music station like WQXR F.M. would choose to feature a big-splash juvenile ONLINE thumbs down to a J.S. Bach masterwork! http://www.wqxr.org/#!/story/three-nyc-kids-give-bach-big-thumbs-down/ My published comment criticized the posting: “This is a waste … Continue reading

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Comparone plays Bach on the harpsichord with a palette of emotions

I must admit that I usually experience the “minor” key with poignant intensity, but when I heard Elaine Comparone’s most recent performance of J.S.Bach’s celebrated D minor concerto, I felt her inner smile radiate through ripples and waves of luscious … Continue reading

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J.S. Bach and blurred tonality (learning the three-part Invention or Sinfonia in F minor, BWV 795)

The Sinfonia in F minor is a tour de force work of art, perhaps evocative of the composer’s Musical Offering in its strikingly atonal sections. Yet there are definitive cadences in Major and minor keys that occur at the terminus … Continue reading

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Learning a J.S Bach Sinfonia from the ground up (F Major, BWV 794)

On to three voice counterpoint, following a two-dimensional Bach Invention journey in the company of several piano students. So why not open the door to my private practice room for a layered learning sample a trois. I’m no different than … Continue reading

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