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Piano practicing and blocking techniques

I was originally enlightened about the value of blocking out intricate and tricky passages when I attended a rehearsal of Rudolf Serkin and the New York Philharmonic. He was about to play the Beethoven "Emperor" Concerto No. 5 with its majestic opener of broken chords (arpeggios) and as a warm-up, he silently blocked out a… Continue reading Piano practicing and blocking techniques