Bay area piano instruction, Beethoven, Beethoven "Tempest" in Dminor Op. 31 no.2, Beethoven "Tempest" sonata op. 31 no. 2, Beethoven Tempest Sonata first movement, blogger, blogging, blogging about piano, Classical era, Classical era piano music, classical period piano music, Classical period sonata, classissima, classissima.com, classisssima.com, El Cerrito, El Cerrito California, El Cerrito piano instruction, Journal of a Piano Teacher from New York to California, Ludwig Van Beethoven, phrasing at the piano, piano, piano addict, piano blog, piano blogging, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano practicing, piano practicing motivators, piano studio in El Cerrito, piano study, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano technique, piano technique and the singing tone, piano tutorial, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing piano with crossed hands, playing piano with expression, playing the piano, practicing difficult piano passages, practicing piano, practicing piano passages with rhythms, practicing piano with relaxation, practicing the left hand at the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley kirsten piano teacher in El Cerrito, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, skyped piano lessons, Skyping piano lessons, slow mindful practicing, slow piano practicing, Steinway M, Steinway M grand, talkclassical.com, teaching piano, teaching piano to adult students, teaching piano to adults, teaching piano to children, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six:

I.

II.

III.

IV.

V.

VI.

LINKS:

Part ONE: Beethoven Tempest Sonata in D minor

https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/

Part TWO Instruction

https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/

Part THREE Instruction

https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/

Part FOUR Instruction

https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/

Part FIVE Instruction

https://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/

PART SIX, referenced in You Tube format

http://www.youtube.com/watch?v=nwQzBpWJWqs

Beethoven, Beethoven "Tempest" in Dminor Op. 31 no.2, Beethoven Tempest Sonata first movement, blog, blogger, blogging, blogging about piano, Classical era, Classical era piano music, classical music, Classical period sonata, El Cerrito, El Cerrito California, El Cerrito piano instruction, MTAC, musical inspiration, musical phrasing, musical phrasing and breathing, Oberlin, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano lesson, piano pedagogy, piano playing, piano studio, piano studio in El Cerrito, piano technique, pianoworld, pianoworld.com, playing piano, playing the piano, playing the piano with a singing tone, practicing piano, Shirley Kirsten blog, shirley kirsten piano teacher in El Cerrito, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, supple wrist in piano playing, talkclassical.com, teaching piano, teaching piano to adults, video instruction, word press, word press.com, wordpress, wordpress.com, you tube video, yout tube

Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement.

After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in F# minor at double forte level. (FF) (measure 99)

But before we get to this intensified point, Beethoven re-introduces a Largo, following the SECOND ENDING, which draws on the opening broken chord ROLL. The harmonies through which he passes are quite mystical. (especially when a D Major rolled-out chord is followed by a diminished one starting on B#) The third and final rolled chord in F# evokes the gates of heaven opening. At this point, the player must experience a divine revelation so he can communicate it convincingly to the listener.

The same mysticism blankets a Recitative, measures 144-148; and 155-158 with a submerged sustain pedal which is in itself, an innovative harmonic event in a Classical period sonata.

In fact, the “Tempest” is a ground-breaking composition just because the composer explores new tonal and harmonic regions while expanding beyond conservative form boundaries.

My video instruction elaborates upon this commentary:

LINKS:

Part ONE: Beethoven Tempest Sonata in D minor

https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/

Part TWO Instruction

https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/

Part THREE Instruction

https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/

Part FOUR Instruction

https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/

Beethoven, Beethoven "Tempest" sonata op. 31 no. 2, Beethoven Tempest Sonata first movement, blog, blogging, blogging about piano, blogs about piano, Classical era piano music, classical music, classisima.com, classissima, Journal of a Piano Teacher from New York to California, pianist, piano, piano lesson, piano teacher, piano teaching, piano technique, playing piano, practicing Beethoven's Tempest sonata movement one, Shirley Kirsten, Shirley Smith Kirsten, shirleyu smith kirsten, tutorial, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice

A tricky chromatic scale with a turn-around at its end ushers in a stormy, impassioned section with cross-over hands. Some players observe the notation to a tee, and avoid these hand-over-hand maneuvers, but I, like many other pianists do the re-arranging in the interests of smoothly trailing a melodic line that starts in the bass and shifts into the treble. (This involves Left Hand over Right, where for me, at least, it’s easier to keep a consistent tremolo in the middle voice PLAYED BY THE RIGHT HAND)

Sorry for the confusion in visualizing this. It’s best to watch the video that goes into detail and fleshes out the choreography.

Measures 19 to 41:

RELATED:

Part ONE Beethoven “Tempest” Sonata instruction:

https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/

https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/