A North Carolina ONLINE piano student comes to Berkeley, California for a LIVE lesson right before the Super Bowl!
What convinces most pianists that Schumann's "Furchtenmachen" (Frightening) is an expression of fear or perhaps more specifically anxiety, are the markedly impulsive sections that contrast with lyrical, reflective ones. And not to be overlooked, are the interjections of syncopated SF's (accentuated outbursts) that are quite STARTLING and must be well communicated in measures 21-24, as… Continue reading What’s Frightening about Schumann’s “Frightening? ” (Kinderszenen, Op. 15, no. 11)
My journey through the Baroque master's Fugue no. 12 has been a labor of love though the form enshrined by J.S. Bach can be intimidating by its structural nit-pickings. Wikipedia, for example, cites BWV 847 in C minor, (the Fugue) as a model of internal order, with a carefully marked out Subject; Answer (a fifth… Continue reading Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)
http://tch15.medici.tv/en/live/piano This is a unique opportunity to savor performances by a roster of international contestants, one of whom is our very own, pianist, George Li, a loyal Facebook Friend to so many of his avid fans. We're tracking his global-wide performances with great interest. Li's scheduled opening Recital is THURSDAY, JUNE 18: 3:50 PM Piano:… Continue reading Medici TV presents FREE LIVE stream of the XV INTERNATIONAL Tchaikovsky Competition from Moscow
Grigory Sokolov grabs a deserved spotlight in this bedazzling performance of Schubert's Klavierstucke No. 1 http://youtu.be/zuwi9W3A3tM Bruno Sainmangeon, producer and documentarian captured Sokolov in the same acoustically favorable Berlin space that Murray Perahia chose to deliver the memorable Bach Partita in E minor: http://youtu.be/ELShZDVjoFw Add in Perahia's most recent tour de force in Japan: Beethoven's… Continue reading Chiming in the New Year with my favorite piano performance picks!
Blocking techniques can help to solidify tricky passages in Bach's A minor Invention (13), especially if intelligent decisions are made about landscaping broken chords with thumb shifts weaving through them. Examining measures 9 through 13 for example, I devised a blocking routine that helped me gain note security while contouring phrases with a supple wrist.… Continue reading Piano Technique: Be a Blockhead when learning Bach
Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach's French Suite No. 5 in G, (BWV 816) that I'd performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch disparity between our respective instruments. While Loure was composed in the key of G Major,… Continue reading J.S. Bach, the piano, harpsichord and early music tunings