Category: Creative Fresno

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Piano Lesson: Refining the pedaling in Chopin’s Waltz no. 19 in A minor (Op. Posthumous)

arioso7: Shirley Kirsten

Pedaling and its refinement were under consideration following an adult student's initial reading of the Chopin Waltz. This piano lesson was transmitted by Skype to Sydney, Australia. http://www.youtube.com/watch?v=7Fn1xBSuep0

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Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)

arioso7: Shirley Kirsten

At the cue of a SKYPE musical trademark ring, I tapped the green-colored phone icon and brought an eight-year old, her dad, and a grand piano into view. A second virtual lesson beamed between California and Oregon officially began! Featured composition: Chopin's Waltz in A minor, no. 17, Op. Posthumous. This time I aimed my… Continue reading Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)

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Piano Practicing: Re-doing and Refining

arioso7: Shirley Kirsten

Studying piano, playing through the great piano literature, requires revisiting, re-doing and refining our work. This undertaking should not carry a value judgment that what preceded was poor or inadequate. Those adjectives do not belong to the process of learning. After all, we do not fault babies for crawling before walking because we realize it's… Continue reading Piano Practicing: Re-doing and Refining

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How long should a piano student stay with a piece?

arioso7: Shirley Kirsten

As a teacher, I've often pondered this question, concluding that there are varying answers which depend on the advancement and motivation of individual students. Certainly no fixed formula addresses the length of time a pupil needs to fully realize his potential when practicing a given composition. By way of example, I have an adult student,… Continue reading How long should a piano student stay with a piece?

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Appealing piano repertoire for students: Ballade by Burgmuller (Video) and a Lesson-in-Progress

arioso7: Shirley Kirsten

http://youtu.be/JKFxWVFRK4M A piece that's popular among piano students and often steers them back on course, is Burgmuller's "Ballade." In previous blogs, I highlighted "The Chase," "Harmony of the Angels," and "Tarentelle," from this Op. 100 Collection of 25 Progressive Pieces. Burgmuller's tableau in C minor, ("Ballade") seems to capture the spirit of Halloween in its… Continue reading Appealing piano repertoire for students: Ballade by Burgmuller (Video) and a Lesson-in-Progress

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Piano Lesson: Fritz, Age 7, performs his composed piece, “FINDING GOLD” (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=JFObHOAwNV0 Over a period of three weeks, seven year old Fritz, who'd been taking piano lessons for about 7 months, composed a piece that he titled, "Finding Gold." The student has been using Faber Primer Piano Adventures, with my inserted modifications. He warmed up this past Monday with Lesson Book p. 24, C-D-E-F-G March transposed… Continue reading Piano Lesson: Fritz, Age 7, performs his composed piece, “FINDING GOLD” (Video)

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Piano Instruction: Spot Practicing, Presto Agitato movement 3, Beethoven’s “Moonlight” Sonata

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=RraBDtDo9Nw Beethoven's C# minor Sonata, Op. 27, No. 2, the "Moonlight") RELATED: https://arioso7.wordpress.com/2011/04/03/piano-instruction-out-of-a-rut-with-spot-practicing/

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Piano Instruction: Out of a Rut with Spot Practicing

arioso7: Shirley Kirsten

I've discovered a way to advance a piece that's found itself in the doldrums --held back by the same snags that most students dread and want to avoid. The remedy boils down to spot practicing with a generous serving of patience. We all remember our teacher's mantra to separate the hands and play very slowly… Continue reading Piano Instruction: Out of a Rut with Spot Practicing

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Playing two pieces from my ‘Moonbeams’ Collection (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=vobA3Wb8nOY I thought I'd surprise myself with a Moonbeams reunion. "Hebrew Melody and Variations" is performed first, followed by the title piece, "Moonbeams." The remaining 8 selections vary in mood, character, and tonality. RELATED: https://arioso7.wordpress.com/2011/03/29/the-piano-teacher-as-composer-using-my-moonbeams-collection-as-an-example/ https://arioso7.wordpress.com/2011/03/27/piano-students-as-composers-stimulating-a-creative-teaching-environment/

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The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)

arioso7: Shirley Kirsten

Why not give composing a try? I did. For the most part, you don't need a degree in composition, but a Theory background helps things along with voice leading in the bass part and understanding the rules of notation. Above all, intuition and inspiration are the main ingredients in any creative undertaking. In 1985 I… Continue reading The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)