Category Archives: Daniel Waitzman

J.S. Bach, the piano, harpsichord and early music tunings

Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach’s French Suite No. 5 in G, (BWV 816) that I’d performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch … Continue reading

Posted in Baroque era, Baroque era tunings, classissima, classissima.com, Daniel Waitzman, Elaine Comparone, flute, harpsichord, piano blog, piano blogging | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

Shrinking degrees of separation in the music world?

The musical universe is smaller than we think. And perhaps this writing will incubate a linked chain of “connections” that will go further–especially since my relocation to Berkeley, California (September, 2012) So here it is: Now that I’m well past … Continue reading

Posted in Bel Kaufman, Claudio Arrau, Daniel Waitzman, Elaine Comparone, Eugene Lehner, Franz Mohr, Gerard Schwarz, Herbert Gardner, Indiana University, James Gardner actor, Leon Fleisher, Lillian Freundlich, Lillian Lefkofsky Freundlich, Marble Hill Projects, Marjorie Janove, Menahem Pressler, Murray Perahia, Raphael de Silva, Roselle Kemalyan, Samuel Gardner, Seagate, Seymour Bernstein, six degrees of separation, six degrees of separation in the music world, Theodor Leschetizky, Vladimir Horowitz | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments