Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach's French Suite No. 5 in G, (BWV 816) that I'd performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch disparity between our respective instruments. While Loure was composed in the key of G Major,… Continue reading J.S. Bach, the piano, harpsichord and early music tunings
Category: Daniel Waitzman
Shrinking degrees of separation in the music world?
The musical universe is smaller than we think. And perhaps this writing will incubate a linked chain of "connections" that will go further--especially since my relocation to Berkeley, California (September, 2012) So here it is: Now that I'm well past my Oberlin Conservatory student years, I notice that Lillian Freundlich, my beloved teacher during my… Continue reading Shrinking degrees of separation in the music world?