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Practicing a Mozart Andante movement, using a “singing pulse”

Murray Perahia clarified the "singing pulse" when he discussed a form of rubato, or flexible time that he believed could apply to Classical era repertoire. In an interview conducted by Sir Dennis Forman in the 1980s, the pianist, known as a formidable musical poet of his generation, discussed the Mozart Concerto No. 21 in C,… Continue reading Practicing a Mozart Andante movement, using a “singing pulse”