Category Archives: Emanuel Ax

Does approaching notes in different ways at the piano affect tone production?

Emanuel Ax, well-known concert pianist and teacher asserts that one note struck cannot be varied by physical approach (except for volume) and I’m assuming duration (a clipped staccato release vs. a lingering sustain without pedal) Yet he didn’t provide enough … Continue reading

Posted in Classical music blog, classissima, classissima.com, Emanuel Ax, Journal of a Piano Teacher from New York to California, phrasing at the piano, piano, piano blog, Shirley Kirsten, Shirley Smith Kirsten, tone production at the piano, word press, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 9 Comments

Revisiting an old piano piece learned years earlier

I find my current musical journey down memory lane to be joyful and challenging–especially as I cut and paste the Mozart Rondo: Allegro, K. 311 pages to fit comfortably on the piano rack. (Deja Vu, Haydn C Major Hoboken XVI35–Haydn … Continue reading

Posted in Emanuel Ax, Lillian Freundlich, mindful piano practicing, Mozart, Mozart Sonata no. 9 in D K. 311, ornaments, phrasing at the piano, pianist, pianists, piano, piano addict, piano addict.com, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessons by Skype, piano lessons for adults, piano lessons in Berkeley California, piano lessons in El Cerrito California, piano pedagogy, piano playing, piano playing and the singing tone, piano practicing, piano teachers, piano teaching, piano teaching philosophy, piano teaching repertoire, piano technique, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, the undulating wrist, the undulating wrist in piano playing, trills, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube.com, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , | Leave a comment