Category: Friedrich Burgmuller

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Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)

arioso7: Shirley Kirsten

Burgmuller's Ballade from his Opus 100 Progressive Piano Pieces is often coined "spooks" because of its Halloween-like opener. Composed in 3/8 time, it moves along in ONE, though the performer should not over-emphasize the first beat in each measure. The way the composer slurs and phrases notes suggests another approach. Thinking LONGER lines and phrases… Continue reading Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)

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Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

arioso7: Shirley Kirsten

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer's Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, though it can be argued that all contain unique technical challenges. Composed in the Romantic… Continue reading Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

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The rolling wrist in Burgmuller’s “Harmony of the Angels”

arioso7: Shirley Kirsten

Each of Burgmuller's Op. 100, 25 Progressive Pieces is more enchanting then the next, and bundled into every charmer is a technical goal to be met. In "Harmony of the Angels" it's abundantly clear that the supple wrist must roll forward, and the continuum of triplets from left hand to right must be in an… Continue reading The rolling wrist in Burgmuller’s “Harmony of the Angels”