Category Archives: improving sight reading skills

Piano Study and the value of SINGING against a cultural backdrop of vocal inhibition

Posted on August 17, 2011 by

Singing has always been a basic, if not primitive form of communication between parent and infant. A tender melody often lulls a colicky baby into blissful sleep along with rhythmic rocking motions. As the tyke eventually babbles and coos high-pitched sounds … Continue reading →

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Memorization at the piano: How to improve your skills

Posted on June 17, 2011 by

Memorization should be a natural outflow of consistent, thoughtful practicing. Thoughtful is underscored because it’s the most important ingredient in the process of playing a studied piece without music. It means having mental assists that relate to mapping out a … Continue reading →

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How to Improve Sight-reading at the Piano

Posted on April 21, 2011 by

A universal complaint among piano students relates to sight-reading. They find themselves stumbling through the first playing of a brand new piece, not knowing if an end is in sight. The faltering, (wrong note, right note in treble and bass … Continue reading →

Posted in ear training, how to improve sight-reading at the piano, improving sight reading skills, Piano Street, piano student, piano studio, piano teacher, piano technique, piano tuning, piano tutorial, Piano World, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, scale fingerings, scales, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, sight-reading at the piano, sightreading at the piano, talkclassical.com, teaching scales, technique, Theory, uk-piano-forums, Uncategorized, whole body music listening, word press, wordpress.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments