Claudia S., age 11, identified and practiced the Subject, Tonal Answer, and Counter-subject 1 and 2 of the Fugue BWV 847. She learned how to make a difference between portato and staccato as she examined form, structure, and phrasing. http://www.youtube.com/watch?v=zvXZKI6HLIY
Claudia, 11, practiced piecing out the Fugue form today in BWV 847 (three voices). We played through the subject, tonal answer, and counter-subject 1, continuing with a transition that led to statements of the subject and counter-subject. I had her singing and playing various combinations of voices, also noting an inversion of counter-subject I. The… Continue reading Parts one and two, Piano Lesson in progress: Parceling voices in J. S. Bach’s C minor Fugue, BWV 847
Today, September 5th, is Claudia's 11th Birthday! She started lessons with me in 2006 when she had just turned 6 after coming to California from Hawaii. I remember her as a shy but wide-eyed child who had studied piano for a year or so. Students who begin piano lessons at a tender age and stay… Continue reading A piano student’s milestones and memories in photos and video
http://www.youtube.com/watch?v=5b9p5z9XbEI Staci played both the Prelude and Fugue in C minor, BWV847 for the Central Valley Baroque Festival. All Regional finalists received Medals and an appearance at the Honors Recital The recording conditions were not the best.
The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/
http://youtu.be/ii0KsFQjGNA This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative… Continue reading Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)