Category: J.S. Bach Well Tempered Clavier

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Performing a piece–Getting it right (all the notes) OR really getting it right (the phrasing and nuance) VIDEOS

arioso7: Shirley Kirsten

For many pianos students, playing 100% perfect notes, with no clunkers is goal in itself. They breathe a sigh of relief looking back on a video of a recital, where they managed to "get it right," counting correct notes from beginning to end. One even managed to play note perfect while intermittently eyeing her family… Continue reading Performing a piece–Getting it right (all the notes) OR really getting it right (the phrasing and nuance) VIDEOS

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Piano Lesson in Progress: Slow tempo, J.S. Bach Prelude in C minor, BWV847, student, Claudia, age 11

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=VIMmG3OzHhU

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A different view of Bach and the piano (Prelude in C) Video

arioso7: Shirley Kirsten

On a whim, I decided to keep my Mac at a distance from the Steinway, walk over to the piano without being too conspicuous, and offhandedly play the Bach Prelude in C from the Well-Tempered Clavier. Since I hadn't yet mastered the editing side of iMovie, I figured a majestic lead into the playing would… Continue reading A different view of Bach and the piano (Prelude in C) Video

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

arioso7: Shirley Kirsten

The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/

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Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

arioso7: Shirley Kirsten

http://youtu.be/ii0KsFQjGNA This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative… Continue reading Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)