Category Archives: J.S. Bach

J.S. Bach Prelude No. 1 in C, Voicing and Harmonic Rhythm (my ideas and Seymour Bernstein’s)

A musician’s understanding of a masterwork is a composite of ideas derived from many sources. In the course of piano study, perceptions change and grow, enlarged by a combined theoretical and musical examination of a composition that invites mentors into … Continue reading

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First Love Bach Fugue in F minor, BWV 881

What a divine pairing from J.S. Bach’s Well-Tempered Clavier, Book 2! The ethereal, “sighing” Prelude is joined by a somber, though monumental Fugue in three voices. The Subject with its characteristic three-8th note repetitions followed by two-16ths, meanders in stepwise … Continue reading

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J.S. Bach’s ethereal Prelude in F minor, BWV 881 (contour and voices)

A kindred musician friend and Baroque scholar residing on the East Coast tipped me off that my “first love” reading of Bach’s Prelude in F minor a few months back, was just the very top layer of a more in … Continue reading

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Playing J.S. Bach with an awareness of Harmonic Rhythm

In working through Bach’s two-part Invention No. 13 in A minor, an adult student and I explored harmonic resolutions and their influence on phrasing. *** While many pupils expect cadences to be predictable resting points where pianists typically taper a … Continue reading

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Chopin and Bach piano lesson excerpts

Most students welcome recorded recaps of their lessons for practicing reminders and direction. While the editing time is significant, the overall effort results in a fine-tuned clarification of fingering, phrasing, dynamics etc. with a space margin for reconsideration of interpretation. … Continue reading

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Teaching J.S. Bach

As mentors immersed in a two-way sharing process with students, we’re grateful for opportunities to delve deeply into the masterworks. One companion traveler of mine dotes exclusively on the music of J.S. Bach, preferring this singular journey to any other. … Continue reading

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Me, My Neighbors and J.S. Bach

I spent two full nights with J.S.B., recording at ungodly hours, deleting a lion’s share of playings, worrying about my neighbors’ patience threshold. With a “runner’s high,” equivalent of being in the zone, I just couldn’t let go of the … Continue reading

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