Category: music theory

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Piano Lesson: An Adult student practices the Presto agitato mvt. Beethoven “Moonlight” Sonata (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=wxmwAUIu3eY The Chromatic scale to the end of movement: http://www.youtube.com/watch?v=Gtquw8qNbXg R.K. wished to remain anonymous because of the nature of his work, but, nevertheless, he's a devoted student of the piano. I met him at the American Cancer Discovery Shop, on Bullard and West in Fresno about 5 years ago when I was a regular… Continue reading Piano Lesson: An Adult student practices the Presto agitato mvt. Beethoven “Moonlight” Sonata (Video)

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Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=aCck4ZFNeQI When students do routine scales and arpeggios as warm-ups to their tour de force pieces, I like to spice things up a bit by playing around with voicing and weight control. (Yes, you heard me right) I'll surprise them by asking for the Left hand notes to be fleshed out, while the Right ones… Continue reading Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

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Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)

arioso7: Shirley Kirsten

The Adagio movement of Beethoven's Pathetique Sonata requires attentive listening, deep in the key practicing, muscle memory, and a natural breath that flows out of phrases. I start with the top most voice and work my way through to the alto and bass. (practicing individual lines) http://www.youtube.com/watch?v=C4qME1l6Oqo Blocking is applied to the alto and should… Continue reading Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)

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How long should a piano student stay with a piece?

arioso7: Shirley Kirsten

As a teacher, I've often pondered this question, concluding that there are varying answers which depend on the advancement and motivation of individual students. Certainly no fixed formula addresses the length of time a pupil needs to fully realize his potential when practicing a given composition. By way of example, I have an adult student,… Continue reading How long should a piano student stay with a piece?

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The Emotionally Abusive Piano Teacher and Suggested Rehab

arioso7: Shirley Kirsten

Over the years my ears have been pinned back by stories from students who experienced emotionally abusive teachers. One who transferred to my studio from another, described her head having been shoved into the music after striking a wrong note. In biographies of well-known performers, strands of anecdotes about foot-pounding, screaming master instructors remind readers… Continue reading The Emotionally Abusive Piano Teacher and Suggested Rehab

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Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=rEAm3TYmSIk I've chosen Burgmuller's E minor "Inquietude" (Restlessness) from the composer's Twenty-Five Progressive Pieces, to demonstrate a spring forward movement of the wrist used with groupings of three slurred 16th notes that permeate the selection. I also enlist syllables, "da-lee-dle" to assist with shaping the 3-note figures. http://www.youtube.com/watch?v=oyzhVZJODn0 The Schirmer edition is below. I use… Continue reading Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)

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The Art of Phrasing at the Piano: Starting the process with Beginners (Videos)

arioso7: Shirley Kirsten

For some unexplained reason, my earliest piano studies never included the art of phrasing. My primer teacher stressed naming notes, finding them, affixing correct fingering and counting out robotic beats. I knew nothing about feeling a melodic landscape; putting the vocal model center stage in my playing, and breathing through contoured musical lines. My pieces… Continue reading The Art of Phrasing at the Piano: Starting the process with Beginners (Videos)

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To use or not to use a Metronome in the piano studio

arioso7: Shirley Kirsten

There's no doubt that one of the biggest challenges in teaching piano students of all ages is imbuing a rhythmic or metrical consciousness. In my experience, younger students, especially, at the primer level of study, want to race off like there's no tomorrow. They might begin a piece in a steady rhythmic frame but succumb… Continue reading To use or not to use a Metronome in the piano studio

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Individualizing Piano Study: How to avoid Method Book dependency

arioso7: Shirley Kirsten

Over decades of teaching, I've come to the conclusion that each student needs a custom designed long-term lesson plan. Method books only go so far. Often they stratify the learning process, keeping students in an interminably drawn out, regressive C Major universe. For the most part, flats and sharps with Letter Name identifications are regarded… Continue reading Individualizing Piano Study: How to avoid Method Book dependency

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The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)

arioso7: Shirley Kirsten

Why not give composing a try? I did. For the most part, you don't need a degree in composition, but a Theory background helps things along with voice leading in the bass part and understanding the rules of notation. Above all, intuition and inspiration are the main ingredients in any creative undertaking. In 1985 I… Continue reading The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)