Category: musical phrasing and breathing

Mozart piano sonata, Mozart Sonata in F Major K. 332, music study and ripening, musical phrasing, musical phrasing and breathing, pianist

Playing Mozart: Phrasing and Nuance

arioso7: Shirley Kirsten

Expressing Mozart's piano music beautifully is a composite of many ingredients that include vocal modeling; an understanding of form/structure and harmonic elements; sound imaging, and in the cosmos of the imagination, exploring how to produce what we want to hear. In our ongoing phase of "experimentation," we delve through a terrain of unclarity, seeking ways… Continue reading Playing Mozart: Phrasing and Nuance

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Using piano repertoire as a springboard for a theory lesson: Major, minor and Diminished Chords (Videos)

arioso7: Shirley Kirsten

One of my adult students is working on the gorgeous J.C. Bach Prelude in A minor which has a second page full of "Major," "Minor" and "Diminished" chords. The sonorities progress in sequences, but they also have a secondary dominant relationship to resolving chords. The "harmonic rhythm" moves quickly. While this particular pupil may not… Continue reading Using piano repertoire as a springboard for a theory lesson: Major, minor and Diminished Chords (Videos)

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Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

arioso7: Shirley Kirsten

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in… Continue reading Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

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Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

arioso7: Shirley Kirsten

"From watching great pianists it is obvious that they incorporate quite different movements to achieve the same goals, because people do not play piano with fingers but rather with the mind and the ear. Again, it is the clear image of what kind of sound one wants to achieve, combined with the knowledge of how… Continue reading Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

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Scarlatti Toccata in D minor with rapid fire repeated notes: Melodic contouring, dusting the keys, and slow motion replay (VIDEOS)

arioso7: Shirley Kirsten

Here's my anti-anxiety solution to playing those demanding, rapid-fire repeated notes in Scarlatti's D minor Toccata. First, being a technology nerd, I never dreamed I could master a slow motion replay on iMac's iMovie, but through trial and error, I managed a half-speed rendering of the opener. Naturally, I deleted my sadly depressing droning voice… Continue reading Scarlatti Toccata in D minor with rapid fire repeated notes: Melodic contouring, dusting the keys, and slow motion replay (VIDEOS)

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Mozart memories, reflections and revisits (Videos)

arioso7: Shirley Kirsten

Andante: second movement, Mozart Sonata K. 545 played on my Steinway, 1917, M. http://youtu.be/PPYKK3hOjnk **** My relationship to Mozart and his music began with the violin. At the Merrywood Music Camp in Lenox, Massachusetts, only a stone's throw from Tanglewood, I encountered Eugene Lehner, first violist of the Boston Symphony when I played second violin… Continue reading Mozart memories, reflections and revisits (Videos)

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The Old World playing, like fine wine, of Livia Rev, Hungarian pianist and teacher (see her teaching segments on the pliant wrist)

arioso7: Shirley Kirsten

So now I am into documentaries about piano teachers/performers who leave an eternal imprint on their students and upon the world. Livia Rev is one such special person who belongs in the good company of Irena Orlov, Irina Gorin, and Rosina Lhevinne. Note the frames on Bela Bartok, and Ms. Lev's connection to-- a letter… Continue reading The Old World playing, like fine wine, of Livia Rev, Hungarian pianist and teacher (see her teaching segments on the pliant wrist)

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Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

arioso7: Shirley Kirsten

I can see the butterfly in my mind's eye in its flight of fancy. But I wish it were as easy to play, as to imagine. Relaxation is the key word here, but not to the point that the 16th-notes become like glissandi--a faint gloss over the keys. First in slow practice tempo you would… Continue reading Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

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Piano practicing, performance, and gym routines: Always Reach Beyond! (Video, Bach Invention 8 in F)

arioso7: Shirley Kirsten

http://youtu.be/7no8U9pV_SI I take my inspiration from the two Irina/Irena-s, each pronouncing their names slightly differently. Irina Gorin is the ingenious piano teacher from Carmel, Indiana via the Ukraine, and Irena Orlov is from Washington D.C.'s Levine School of Music via Leningrad. They both inspire students to explore and draw out their deepest creative expression. That's… Continue reading Piano practicing, performance, and gym routines: Always Reach Beyond! (Video, Bach Invention 8 in F)

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Piano Technique: Nifty warm-up routines (Videos)

arioso7: Shirley Kirsten

Phase one of lessons is a lively romp over the 88s. It sets the geography of the piano through a host of keys. Establishing a "feel" for the instrument with a supportive knowledge of key signatures, framed in buoyant rhythm, kicks things off. Here are few examples from Claudia's lesson. At age 11, she's advanced… Continue reading Piano Technique: Nifty warm-up routines (Videos)