Category: New York City High School of Performing Arts

Connections on LinkedIn, Journal of a Piano Teacher from New York to California, LinkedIn, Linkedin endorsements, Linkedin.com, New York City High School of Performing Arts, piano, Shirley Kirsten, Shirley Smith Kirsten, wordpress, wordpress.com

How to win Friends and influence People on LinkedIn

arioso7: Shirley Kirsten

After a major workout at the gym this afternoon, I sat down at my computer, flooded by waves of LinkedIn "endorsements." A new gush of approbations encompassed bird-watching, percussion, band conducting, coin-collecting, baby-sitting and chess-playing. Was I in the midst of a mega makeover? I felt guilty about being showered with praise for my non-existent… Continue reading How to win Friends and influence People on LinkedIn

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Ear Training and Transposing are intrinsic to piano lessons (examples from an Adult lesson in progress)

arioso7: Shirley Kirsten

It's not easy to plan a one hour piano lesson to include ear training, solfege and transposing. (They belong together, bundled with Theory, and enrich the learning environment) At the Oberlin Conservatory, Theory, Keyboard Harmony, and Eurhythmics were taught separately. Our piano teachers (applied study) adhered to their rigid routine, rarely fitting solfege, sight-reading, improvising,… Continue reading Ear Training and Transposing are intrinsic to piano lessons (examples from an Adult lesson in progress)

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A sentimental journey taken with Mozart

arioso7: Shirley Kirsten

Musical memories rekindled

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Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

arioso7: Shirley Kirsten

Rina may not know the words "pentascales" and "tenths," but she has the intelligence to notice when her fingers move up and down together, playing the same notes an "octave" apart. With a sound knowledge of the music alphabet in both directions, she has good cognitive reinforcement. (She also knows "running notes" or 8ths, "long… Continue reading Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

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Grammy award winner Murray Perahia shines at Zellerbach Hall! Encore, Schubert Impromptu Op. 90 in Eb in two “live” performances (Videos)

arioso7: Shirley Kirsten

Murray Perahia, Poet of the Piano Zellerbach Hall in Berkeley is a regular stop for Murray Perahia, who happens to be my former classmate at the New York City High School of Performing Arts (The "FAME I wanna live forever school"). I've already reminisced about "P.A." and Murray's inspiring musical presence: https://arioso7.wordpress.com/2012/01/15/murray-perahia-pianist-is-in-a-league-of-his-own-videos/ For those of… Continue reading Grammy award winner Murray Perahia shines at Zellerbach Hall! Encore, Schubert Impromptu Op. 90 in Eb in two “live” performances (Videos)

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Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

arioso7: Shirley Kirsten

"From watching great pianists it is obvious that they incorporate quite different movements to achieve the same goals, because people do not play piano with fingers but rather with the mind and the ear. Again, it is the clear image of what kind of sound one wants to achieve, combined with the knowledge of how… Continue reading Irina Morozova’s inspiring words flow through a lesson with an adult student (Beethoven’s Fur Elise-in-progress) Video

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Piano Lesson: The challenge of playing a slow movement

arioso7: Shirley Kirsten

I chose Muzio Clementi's popular Sonatina in C, Op. 36, No. 1 to flesh out the contrasting middle movement designated ANDANTE by the composer. It's definitely a challenge to play just 6 lines of music with beauty and finesse. As a start, the player is exposed to realizing rolling triplet 8th-notes in the left hand… Continue reading Piano Lesson: The challenge of playing a slow movement

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Coming Attractions: A music packed weekend and even more to come

arioso7: Shirley Kirsten

Today, in the company of two adult students, I'll be heading over to Zellerbach in Berkeley, California to hear Murray Perahia's piano recital. Last year at about this time, he was curbed by injury, but apparently he's now in peak condition and ready to go. If his recent Berlin concert is an indication of what's… Continue reading Coming Attractions: A music packed weekend and even more to come

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Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

arioso7: Shirley Kirsten

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer's Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, though it can be argued that all contain unique technical challenges. Composed in the Romantic… Continue reading Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

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When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

arioso7: Shirley Kirsten

I'm reminded of a quote attributed to Sviatoslav Richter when asked how he approached a challenging new composition of virtuoso proportion: His reply-- "I read a new piece and then start practicing the place that irritates me the most. After learning that one I move to the next irritation, etc." Well, most of us would… Continue reading When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)