Category Archives: pentachords

Skyped Piano Lessons: Using video supplements as reinforcement (Video sent to an 8-year old student)

Today I Skyped a third piano lesson between California and Oregon, and learned that the student I was mentoring was not 10-years old as I had thought all along, but only 8! Dad told me she had 10 months of … Continue reading

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Music Theory and Piano Study: It doesn’t have to be drudgery

Music Theory doesn’t have to be drudgery If I turn the clock back to my early days as a piano student, I can say without a doubt that I absolutely HATED “Music Theory” or anything remotely related to it. And … Continue reading

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More trills, but bucolic and serene: Scarlatti’s d minor “pastorale” K. 9 (VIDEO)

Domenico Scarlatti Sonata K. 9 in d minor (the “pastorale”) The trills in K. 9 are far different than those permeating Scarlatti’s sonata K. 159 in C Major. The latter has a robust horn call opening with a lavish assortment … Continue reading

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Adult piano students say and do the darndest things.

I remember Art Linkletter’s show, “Kids Say the Darndest Things,” which made me think of a few adult piano students and their hauntingly memorable words. Yesterday, for example, I was forewarned by a 70-year old pupil, that I should expect … Continue reading

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The Big Baroque Festival!

I cleared most of my Saturday morning lessons so I could be on time for a special rehearsal at Fresno State. I took no chances given the steady rain these past few days that caused dangerously deep puddles along Shaw … Continue reading

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Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

I can always use an extra pair of hands to navigate the Baroque composer’s technically challenging sonata It’s a real workout playing Domenico Scarlatti’s essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer’s music … Continue reading

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Why Play Scales? (with an adult piano student’s updated video)

My pupil, Yukiko, demonstrates a sequence of E Major Scales in Legato/staccato–Parallel and Contrary Motion: These provide a repository of articulations and dynamics that apply directly to her repertoire of pieces. *** The Backdrop: As a young piano student living … Continue reading

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