phrasing, phrasing at the piano, pianists, piano, piano instruction, piano learning

What you Learn by Teaching Piano

I was inspired by the sagacious words of Peter Takacs, Oberlin Conservatory piano faculty member, in response to a query by Zsolt Bognar. (Living the Classical Life interview) Zsolt: "Should a pianist teach?" (I was a bit surprised by a question that sowed doubt about the endeavor of mentoring--as if it proliferated the weak cliche… Continue reading What you Learn by Teaching Piano

Emanuel Ax, Lillian Freundlich, mindful piano practicing, Mozart, Mozart Sonata no. 9 in D K. 311, ornaments, phrasing at the piano, pianist, pianists, piano, piano addict, piano addict.com, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessons by Skype, piano lessons for adults, piano lessons in Berkeley California, piano lessons in El Cerrito California, piano pedagogy, piano playing, piano playing and the singing tone, piano practicing, piano teachers, piano teaching, piano teaching philosophy, piano teaching repertoire, piano technique, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, the undulating wrist, the undulating wrist in piano playing, trills, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube.com, yout tube, youtube.com

Revisiting an old piano piece learned years earlier

I find my current musical journey down memory lane to be joyful and challenging--especially as I cut and paste the Mozart Rondo: Allegro, K. 311 pages to fit comfortably on the piano rack. (Deja Vu, Haydn C Major Hoboken XVI35--Haydn pinned and unpinned) I wrote to a musician friend during the height of my frustration.… Continue reading Revisiting an old piano piece learned years earlier

phrasing at the piano, pianist, pianists, piano, piano arpeggios, piano blog, piano blogging, piano blogs, piano instrruction, piano instructor, piano lessson, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, Piano Street, piano student, piano studio, piano study, piano teacher, piano teachers, piano teaching, piano technique, Piano World, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, POWHOW, POWHOW instruction, POWHOW piano instruction, scale fingerings, scales, scales and arpeggios, Shirley Kirsten, Shirley Kirsten blog, Shirley Kirsten certified piano instructor at POWHOW, Shirley Kirsten on POWHOW, Shirley Kirsten teaches classes at POWHOW, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, singing tone legato, studying piano, teaching piano, technique, video piano instruction, virtual piano lessons, virtual piano teaching, whole body listening, word press, word press.com, wordpress, you tube, you tube video, yout tube, youtube.com

Piano Technique: A Bouncy Scale workout with forward arm rolls and supple wrist motions–Enjoy the romp! (Videos)

Scales can be a great workout routine if you let your arms loose, dip your pliant wrists and go with the flow. And it's a great cardio. (No treadmill or weights required) Just apply principles of balance and buoyancy. Here are snatches from an adult student's lesson (Legato and staccato playing with slow motion replays)… Continue reading Piano Technique: A Bouncy Scale workout with forward arm rolls and supple wrist motions–Enjoy the romp! (Videos)

Beethoven, Beethoven "Tempest" in Dminor Op. 31 no.2, Beethoven Tempest Sonata first movement, blog, blogger, blogging, blogging about piano, Classical era, Classical era piano music, classical music, Classical period sonata, El Cerrito, El Cerrito California, El Cerrito piano instruction, MTAC, musical inspiration, musical phrasing, musical phrasing and breathing, Oberlin, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano lesson, piano pedagogy, piano playing, piano studio, piano studio in El Cerrito, piano technique, pianoworld, pianoworld.com, playing piano, playing the piano, playing the piano with a singing tone, practicing piano, Shirley Kirsten blog, shirley kirsten piano teacher in El Cerrito, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, supple wrist in piano playing, talkclassical.com, teaching piano, teaching piano to adults, video instruction, word press, word press.com, wordpress, wordpress.com, you tube video, yout tube

Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in… Continue reading Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

Beethoven "Tempest" in Dminor Op. 31 no.2, classissima.com, Journal of a Piano Teacher from New York to California, Oberlin, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano repertoire, piano study, piano teacher, piano teachers, piano teaching, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, teaching piano, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

This instruction continues from measure 41 through 57, where agitated pairs of 8th notes return, picking up the opening motif. As expected, I use blocking or clustering to keep the redundant figures resilient and bundled with energy. (a forward moving wrist motion is attenuated in rapid tempo, but more exaggerated in the slow practice phase)… Continue reading Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

arioso 7, authors den, authorsden, Beethoven, Beethoven "Tempest" sonata op. 31 no. 2, blog, blogger, blogging, blogging about piano, Classical era piano music, classical music, Classical period sonata, classissima, classissima.com, Journal of a Piano Teacher from New York to California, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano pedagogy, piano playing, piano repertoire, Piano Street, piano student, piano studio, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano technique and the singing tone, Piano World, piano world-wide, teaching a piano student about melody, teaching an adult student, teaching piano, teaching piano to adults, teaching piano to children, teaching piano to teenagers, undulating wrist in piano playing, video instruction, video piano instruction, videotaped piano instruction, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Practicing tips for Beethoven’s “Tempest” Sonata, Op. 31 No. 2, Part ONE: (Video)

Because I found myself rambling on and on about the first page, I decided to compartmentalize the instruction to make it easier to absorb. And since I played the "Tempest" years ago, the surest route to my restoring the piece to a respectable performance level, was to practice it from the ground up in slow… Continue reading Practicing tips for Beethoven’s “Tempest” Sonata, Op. 31 No. 2, Part ONE: (Video)

pianists, piano, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lessons, piano pedagogy, piano student, piano study, piano technique, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing staccato, playing the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, video instruction, whole body listening, whole body music listening, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Technique: Reeling off parallel thirds in staccato (with a trampoline effect)

The playground as music teacher applies: My brood of students and I enjoy the romp through a set of parallel thirds within a five-finger position. In our escapade, we usually dance through the Major and parallel minor tonalities. Interplay, back and forth always helps. It allows the teacher to model physical ingredients of a buoyant… Continue reading Piano Technique: Reeling off parallel thirds in staccato (with a trampoline effect)