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A Fear-less, Horizontal Approach to Staccato playing

arioso7: Shirley Kirsten

Most piano students become DIS-connected when asked to play staccato. Their full blown trepidation wedded to DETACHMENT is so conspicuously on display during scale and arpeggio playing that a teacher must first devise mental cues to bring the student down to earth, in a comfortably secure traction with the keys. It's no surprise then, that… Continue reading A Fear-less, Horizontal Approach to Staccato playing

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Revisiting an old piano piece learned years earlier

arioso7: Shirley Kirsten

I find my current musical journey down memory lane to be joyful and challenging--especially as I cut and paste the Mozart Rondo: Allegro, K. 311 pages to fit comfortably on the piano rack. (Deja Vu, Haydn C Major Hoboken XVI35--Haydn pinned and unpinned) I wrote to a musician friend during the height of my frustration.… Continue reading Revisiting an old piano piece learned years earlier

"Tales of a Musical Journey" by Irina Gorin, classissima, classissima.com, Elaine Comparone, Harpsichord.org, how to improve memorization at the piano, Irina Gorin, piano, piano addict.com, Seymour Bernstein, Uncategorized

The Haydn Piano Sonata in C, UNPINNED, and matters of Memorization

arioso7: Shirley Kirsten

Pianists are expected to perform on stage without music. It's a controversial area worth probing.