It's easy to be dismissive of the Classical era Minuet form, though in the hands of a wunderkind like Mozart, a set of these 3/4 meter Binary dances springs to life with a myriad of embedded learning and performance challenges. For example, the Minuet in F Major, K. 2 composed by Mozart at age 6,… Continue reading W.A. Mozart Minuets: Valuable Journeys of Discovery
Category: piano instruction
Practicing Challenging Pieces: If we’re over a barrel, we can still learn something valuable
I'm the first to admit that not every learning journey through a particular composition will produce results we might have hoped for. After weeks or even months of methodical practicing in baby steps, we can find ourselves literally over a barrel, wading through ornaments, for example, that are crystal clear in slow tempo, but suffer… Continue reading Practicing Challenging Pieces: If we’re over a barrel, we can still learn something valuable
My early learning efforts (J.S. Bach) under the influence of Peter Feuchtwanger
My students know that I say what I do, while they do as I say, with the understanding that we are perhaps interchanging the whole music learning process on an egalitarian basis. Therefore, it's no surprise that I regularly thank them for "teaching" me what I might otherwise have overlooked in my daily practicing. For… Continue reading My early learning efforts (J.S. Bach) under the influence of Peter Feuchtwanger
Trading places with our piano students
As teachers, the empathy we have for a pupil's budding learning process with its slips and slides, is at the foundation of good mentoring. By remembering what it's like to be in the student's position, sitting at the piano under a professional gaze, we can increase our pedagogical effectiveness. If we revisit our own early… Continue reading Trading places with our piano students
Two-timing scale practice
I appreciate two-timing piano students who practice their scales with acutely sensitive ears. They are made keenly aware of what it takes to repeat a faulty step-wise sequence that's been thrown out of rhythmic alignment along a 4-octave route. (Auditory memory is a vital ingredient through repetitions that require retrieval of a consistent underlying pulse.)… Continue reading Two-timing scale practice
When the flu hits or the weather tanks, ONLINE piano lessons preserve progress
Here in California we've been blitzed by pounding rain, gusty winds and the inevitable round of flu. In the midst of bad weather conditions and the flight of viral illnesses, piano lessons are often suspended, as students are immobilized and lose ground. But to the happy rescue is the Internet that affords ONLINE instruction by… Continue reading When the flu hits or the weather tanks, ONLINE piano lessons preserve progress
Piano Lessons during the holidays: Inserting a creative composing dimension to chord exploration
Every winter holiday season most music teachers are asked by parents to devote at least a few weeks to the absorption of Christmas and related celebratory selections. In the traditional musical cosmos, "Silent Night," "Deck the Halls," "Hark the Herald Angels" and "Jingle Bells," are popular learning requests. This year, my 9-year old student who… Continue reading Piano Lessons during the holidays: Inserting a creative composing dimension to chord exploration
Piano Technique: Working with the character of rhythms
It's easy to assess a student's difficulty with navigating scales in progressive tempo framings from quarters to 8th notes to 16ths, etc. as being the result of shortcomings in rhythmic perception, when a larger cosmos of awareness is lacking. I think immediately of the Eurhythmics course I took at the Oberlin Conservatory, taught by the… Continue reading Piano Technique: Working with the character of rhythms
A 9-year old’s “complete” piano lesson integrates theory and ear training
After 9 months of study, "Liz" whom I've followed at regular recorded intervals since her first lesson in mid-February, has been exposed to multi-tiered music learning that's incorporated a Theory and Ear Training dimension. (Note the choice of Frances Clark's Time to Begin as a 6 month Primer, with my imposed creative modifications that expanded… Continue reading A 9-year old’s “complete” piano lesson integrates theory and ear training
Reading Between the Lines: Making decisions about Dynamics
Dynamics cannot always be taken literally when a player embarks upon serious study of a particular composition. In fact, what often governs the shaping of phrases through many measures even with composer inserted soft (piano) or loud (Forte) directives, are harmonic rhythm and metrical considerations. So while a set of measures might attach a Crescendo… Continue reading Reading Between the Lines: Making decisions about Dynamics
