There's nothing like a Big Mac blitz of pulsating pixels in checkered, multi-colored patterns, building to an eye-catching display of blinking lights that forewarns of a computer shutdown. A lyrical Schumann tableau, Face time streamed from Australia, becomes muted by a choir of cackling parakeets whose primal sense of impending doom is on full screen… Continue reading Computer crashes and recovery!
It's easy to be dismissive of the Classical era Minuet form, though in the hands of a wunderkind like Mozart, a set of these 3/4 meter Binary dances springs to life with a myriad of embedded learning and performance challenges. For example, the Minuet in F Major, K. 2 composed by Mozart at age 6,… Continue reading W.A. Mozart Minuets: Valuable Journeys of Discovery
Pianist, Leon Fleisher has given us his notable artistry over decades, while his insights about practicing and teaching have been invaluable for a vast community of mentors and students. In his latest interview that coincided with the release of a new album, All the Things You Are, Fleisher spoke eloquently about the intrinsic relationship of… Continue reading Beyond Leon Fleisher’s riveting words about pianists and vocal modeling
Exploring the two octave model is a good start with a separate hand approach to clarify fingering. I prefer making an adjustment for the opening F#, G#, A in the Right Hand (2, 3, 1) instead of 3, 4, 1 When considering a fast tempo, 2, 3, 1 is less awkward than passing a thumb… Continue reading Piano Technique: Studying/Mapping out the F# minor scale and arpeggio (Video)
Teaching affords the greatest opportunity to listen objectively to students serving up their menu of pieces. It allows ideas to spring forward and bounce back. Today, my Greek student resurrected his Chopin B Minor Waltz in preparation for a forthcoming concert, and he sorted through some of my epiphanies that were born of his playing.… Continue reading Piano lesson: Chopin B minor Waltz, Op. 69, no 2. (bouncing phrases back and forth)