I couldn't resist juxtaposing the importance of learning new and challenging music with an "eye" toward how we can best accomplish our short and long-term goals within our teaching milieu. (The EYE metaphor becomes CLEARER and dual serving as the posting progresses.) *** So many music teachers have a tight schedule of back-to-back students that… Continue reading Keeping up our skills as piano teachers, with an “eye” to taking on challenges
Category: piano teaching
Student: “I get so nervous when I play for you!” The Teacher responds!
As mentors, we can easily recall our student days when well-practiced pieces tanked upon arrival at our piano teacher's home. Even ascending the staircase to the threshold of the apartment, our heart rate quickened, and we felt cold, clammy and faint. It was automatic over-drive for the first 20 minutes--an adrenaline crisis of magnitude. Yet… Continue reading Student: “I get so nervous when I play for you!” The Teacher responds!
Piano Lessons during the holidays: Inserting a creative composing dimension to chord exploration
Every winter holiday season most music teachers are asked by parents to devote at least a few weeks to the absorption of Christmas and related celebratory selections. In the traditional musical cosmos, "Silent Night," "Deck the Halls," "Hark the Herald Angels" and "Jingle Bells," are popular learning requests. This year, my 9-year old student who… Continue reading Piano Lessons during the holidays: Inserting a creative composing dimension to chord exploration
Reading Between the Lines: Making decisions about Dynamics
Dynamics cannot always be taken literally when a player embarks upon serious study of a particular composition. In fact, what often governs the shaping of phrases through many measures even with composer inserted soft (piano) or loud (Forte) directives, are harmonic rhythm and metrical considerations. So while a set of measures might attach a Crescendo… Continue reading Reading Between the Lines: Making decisions about Dynamics
What we learn from our piano students
Mentoring is a perfect complement to a life-long musical journey that includes practicing, growing repertoire, and accruing insights about the multi-dimensional aspects of artistic awareness. And what better way to enhance the development of a teacher, than to have a regular opportunity to assist students in their unique growth process. From our seat away from… Continue reading What we learn from our piano students
Early Stage layered learning with Context
Liz, a 9 year old student, who began piano lessons 8 months ago, has been consistently exposed to layered learning within a contextual framing. This approach, in substance and quality, will apply to pupils of diverse ages and levels. During our most recent lesson, Liz practiced William Gillock's "Little Flower Girl of Paris" (Accent on… Continue reading Early Stage layered learning with Context
The Ingredients of beautiful phrasing
In the course of three piano lessons, spacing, shaping, voicing/balance, grouping, harmonic rhythm analysis, relaxed breathing, singing tone and pulse, etc. were resonating interdependently through beautiful phrases. And with the introduction of two minor scales as a springboard to the repertoire segment, the SPACING of notes, without anticipation or anxiety with a lightness of being… Continue reading The Ingredients of beautiful phrasing
A 9-year-old piano student devises a plan to improve her practicing
Into her seventh month of music study, Liz has more clearly defined her approach to practicing various pieces by devising a well-written outline of phrase-loving reminders. And though her vocabulary is an understandable offshoot of her teacher's, with its emphasis on floating, flowing wrists, side-by-side with "pokey" finger prohibitions, she manages to offer an original… Continue reading A 9-year-old piano student devises a plan to improve her practicing
The Piano Primer transition to early repertoire selection
Creative music mentors know innately that NO Primer Package with its sequence of red, blue, and purple levels, A, B, C etc. will meet the needs of most piano students. That's because each pupil is an individual with unique talents, abilities, strengths and weaknesses which demand a flexible, singularized plan of study. By example, my… Continue reading The Piano Primer transition to early repertoire selection
Creating a seamless, singing tone legato through arpeggios and scales
My students are often amused by my prompts that frequently include "oohs," "ahhs," and "wah's," among other spaced out sounds, to prevent consonant sounding notes or hard-liners from interrupting a smooth, "sighing" stepwise descent to the tonic. And from this universe of impromptu effusions, I've created a self-styled language, that, at times, has incorporated barnyard… Continue reading Creating a seamless, singing tone legato through arpeggios and scales
