Category Archives: piano tutorial

Emma Leiuman, pianist, shares thoughts on sound imagination and tone production

In the midst of a heated Internet-driven controversy that surrounds playing a single note at the piano, Emma Leiuman explores “sound imagination” wedded to fluid physical motions that expand ideas about the universe of expressive piano playing. In a detailed … Continue reading

Posted in Emma Leiuman, Journal of a Piano Teacher from New York to California, piano, piano blog, piano blogging, piano instruction, piano instructional videos, piano teaching, piano technique, piano tutorial, Shirley Kirsten, Shirley Smith Kirsten, tone production at the piano | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Picking up Arpeggio Speed with blocked and unblocked note groupings

I uploaded two videos today that focus on practicing strategies for playing brisk paced arpeggio (G Major). The first is an after hours tutorial that I recorded by FACETIME SCREEN RECORD. The screen, framed by Millennium technology art nouveau, features … Continue reading

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A Supplement to a Skyped lesson (Chopin Waltz in B minor) Video

It’s invaluable to send videos to SKYPE students between lessons. 1) It fills in some of the gaps associated with long distance transmission where variations in volume and clarity might temporarily interrupt instruction. 2) It’s a summation of what transpired … Continue reading

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Using piano repertoire as a springboard for a theory lesson: Major, minor and Diminished Chords (Videos)

One of my adult students is working on the gorgeous J.C. Bach Prelude in A minor which has a second page full of “Major,” “Minor” and “Diminished” chords. The sonorities progress in sequences, but they also have a secondary dominant … Continue reading

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Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six: I. II. III. IV. V. VI. LINKS: Part ONE: Beethoven Tempest Sonata in D minor https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction https://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART … Continue reading

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Piano Lesson: Analyzing/playing Bach Invention in D minor, No. 4, BWV 775 in slow tempo (Videos)

In J.S. Bach’s Two-part Inventions both voices overlap and imitate each other creating counterpoint. The SUBJECT of no. 4 contains a d-minor Harmonic form scale whose 6th note, B flat does NOT continue in an upward motion to the leading … Continue reading

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Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi’s well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the “feeling” of ONE … Continue reading

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