Category: pianoaddict.com

Beethoven "Tempest" in Dminor Op. 31 no.2, classissima.com, Journal of a Piano Teacher from New York to California, Oberlin, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano repertoire, piano study, piano teacher, piano teachers, piano teaching, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, teaching piano, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

arioso7: Shirley Kirsten

This instruction continues from measure 41 through 57, where agitated pairs of 8th notes return, picking up the opening motif. As expected, I use blocking or clustering to keep the redundant figures resilient and bundled with energy. (a forward moving wrist motion is attenuated in rapid tempo, but more exaggerated in the slow practice phase)… Continue reading Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

pianists, piano, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lessons, piano pedagogy, piano student, piano study, piano technique, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing staccato, playing the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, video instruction, whole body listening, whole body music listening, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Technique: Reeling off parallel thirds in staccato (with a trampoline effect)

arioso7: Shirley Kirsten

The playground as music teacher applies: My brood of students and I enjoy the romp through a set of parallel thirds within a five-finger position. In our escapade, we usually dance through the Major and parallel minor tonalities. Interplay, back and forth always helps. It allows the teacher to model physical ingredients of a buoyant… Continue reading Piano Technique: Reeling off parallel thirds in staccato (with a trampoline effect)

Bach Invention no. 4 in d minor BWV775, Bach Two Part Inventions, J.S. Bach, Johann Sebastian Bach, phrasing at the piano, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano keyboard, piano lesson, piano lessons, piano masterclass, piano pedagogy, piano playing, piano playing and the singing tone, piano practicing, piano student, piano study, piano teacher, piano teachers, piano teaching, piano technique, piano tutorial, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing the piano, practicing piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, scales, scales for the piano, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, slow piano practicing, Steinway M grand piano, Steinway piano, teaching piano, teaching scales, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Lesson: Analyzing/playing Bach Invention in D minor, No. 4, BWV 775 in slow tempo (Videos)

arioso7: Shirley Kirsten

In J.S. Bach's Two-part Inventions both voices overlap and imitate each other creating counterpoint. The SUBJECT of no. 4 contains a d-minor Harmonic form scale whose 6th note, B flat does NOT continue in an upward motion to the leading tone, C# or 7th note, but instead, the C# is displaced down to the lower… Continue reading Piano Lesson: Analyzing/playing Bach Invention in D minor, No. 4, BWV 775 in slow tempo (Videos)

arioso 7, blog, blogging, blogging about piano, blogs about piano, Classical era, classical music, classical period piano music, Classical sonatina, classissima, classissima.com, classisssima.com, Clementi Sonatina in C Op. 36 no. 1, El Cerrito, El Cerrito California, El Cerrito piano instruction, fingering and phrasing at the piano, fingering and piano technique, Fresno CA, Fresno California, Journal of a Piano Teacher from New York to California, keyboard technique, MTAC, music and heart, music and the breath, musical phrasing, Muzio Clementi, New York City High School of Performing Arts, Oberlin Conservatory, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano lesson, piano lessons, piano playing, piano playing and phrasing, piano playing and relaxation, piano playing and the singing tone, piano practicing, piano teacher, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing the piano with a singing tone, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Lesson: The challenge of playing a slow movement

arioso7: Shirley Kirsten

I chose Muzio Clementi's popular Sonatina in C, Op. 36, No. 1 to flesh out the contrasting middle movement designated ANDANTE by the composer. It's definitely a challenge to play just 6 lines of music with beauty and finesse. As a start, the player is exposed to realizing rolling triplet 8th-notes in the left hand… Continue reading Piano Lesson: The challenge of playing a slow movement

Journal of a Piano Teacher from New York to California, phrasing at the piano, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and phrasing, piano playing and relaxation, piano playing and the singing tone, piano practicing, piano repertoire, piano study, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing the piano with a singing tone, Rina takes piano lessons, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, slow piano practicing, Steinway M grand piano, studying piano, supple wrist in piano playing, teaching a piano student about melody, teaching piano, teaching piano to children, the art of piano playing, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Lesson planning for a 5-year old piano student–(Video)

arioso7: Shirley Kirsten

Rina who's into her sixth month of study, is ready to learn dotted-half notes. Up to now, she's been saturated with black and white cardboard circles included within a packet along with Irina Gorin's Tales of a Musical Journey instruction. The black notes (quarters) are known as "short" sounds, and the white ones (Half-notes), "long-sounds"… Continue reading Lesson planning for a 5-year old piano student–(Video)

"The Return" by Burgmuller, arioso7, authors den, authorsden, blog, blogger, blogging, blogging about piano, blogs about piano, Burgmuller, Burgmuller's Op. 100 Twenty-Five Progressive Pieces, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano instruction, El Cerrito piano studio, forearm staccato, Journal of a Piano Teacher from New York to California, keyboard technique, learning piano, mindful piano practicing, mindful practicing, MTAC, music, music and heart, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano study, piano teacher, piano teaching repertoire, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing staccato, playing staccato at the piano, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, Romantic era music, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, video instruction, word press, word press.com, wordpress, you tube, you tube video

Burgmuller’s “The Return”–like a light opera, with interspersed drama (videos)

arioso7: Shirley Kirsten

"The Return" from the composer's Twenty-Five Progressive Pieces, Op. 100, is ear-catching. Like an Offenbach opera replete with an Overture, it delights in a set of lighthearted staccato chords that spill into a passionate MINOR sequenced interlude, setting the heart afire. Extinguished by the revisit of Eb Major punctuations, the music drifts off by authentic… Continue reading Burgmuller’s “The Return”–like a light opera, with interspersed drama (videos)

Abby Whiteside, Mastering the Chopin Etudes and Other Essays by Abby Whiteside, phrasing at the piano, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano playing, piano tutorial, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing piano with expression, playing the piano, Shirley Smith Kirsten, shirley smith kirsten blog, singing tone legato, slow mindful practicing, slow piano practicing, Steinway M grand, studying piano, supple wrist in piano playing, technique, the art of piano playing, The Russian singing tone school of piano teaching, video instruction, video supplementation of piano lessons, video uploading, virtual piano lessons, virtual piano teaching, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Abby Whiteside and playing beyond the fingers as a point of departure (Videos)

arioso7: Shirley Kirsten

From WIKI: Abby Whiteside (1881–1956) was an influential American piano teacher. She challenged the finger-centric approach of much classical piano teaching and instead advocated a holistic attitude in which the arm and torso are the conductors of a musical image conceived first in the mind and soul. This quote is riveting: "Why spend dull hours… Continue reading Abby Whiteside and playing beyond the fingers as a point of departure (Videos)

Fur Elise by Beethoven, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano lesson, piano lessons, piano lessson, piano pedagogy, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano repertoire, piano student, piano teacher, piano teachers, piano teaching, piano technique, piano tutorial, piano virtuosos, piano warm-ups, Piano World, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing piano with expression, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano with relaxation, practicing the left hand at the piano, producing a singing tone legato at the piano, relaxed arms in piano playing, rotation in piano playing, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, sight-singing, slow mindful practicing, slow piano practicing, Steinway M grand piano, Steinway piano, studying piano, teaching Beethoven Fur Elise, teaching piano, teaching piano to adult students, technique, the art of piano playing, video instruction, video performances, video supplementation of piano lessons, videotaping at piano lessons, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Lesson: An adult student continues her Beethoven “Fur Elise” learning process (Video)

arioso7: Shirley Kirsten

These are excerpts from today's lesson where we covered: 1. Broken chord blocking; refreshing inversions of the Tonic as applied to practicing Fur Elise. 2. Voice balancing: fleshing out the treble (soprano) melody, on page 2 (F Major section) Using supple wrist and hand rotation; relaxation of arms. 3. C section--with repeated bass notes, alternating… Continue reading Piano Lesson: An adult student continues her Beethoven “Fur Elise” learning process (Video)

arioso 7, arpeggios for the piano, classissima.com, Journal of a Piano Teacher from New York to California, phrasing at the piano, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano pedagogoy, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and the singing tone, piano practicing, piano study, piano teacher, piano teachers, piano teaching, piano technique, piano technique and the singing tone, piano tutorial, piano warm-ups, Piano World, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, scales for the piano, Shirley Kirsten, Shirley Smith Kirsten, video instruction, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

The complete WEIGHT VARIED, WEIGHT CONTROLLED Piano workout with Cardio benefit (Video)

arioso7: Shirley Kirsten

Here it is! The latest approach to building a full-bodied piano technique without taking Protein supplements, or gagging on raw eggs. You might even shed a few pounds if you're committed to the regimen. But don't run scared when you see me going into fast forward. That's the AFTER, not the BEFORE. I did my… Continue reading The complete WEIGHT VARIED, WEIGHT CONTROLLED Piano workout with Cardio benefit (Video)

arioso7, blog, blogger, blogging, blogging about piano, California, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano studio, Felix Mendelssohn, Mendelssohn Children's Piece Op. 72 no. 1, music, music and heart, music and the breath, New York City High School of Performing Arts, New York University, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and the singing tone, piano studio, piano study, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano tutorial, Piano World, piano world-wide, pianoaddict.com, Romantic era music, sight-reading and piano playing, Sviatoslav Richter, video instruction, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

arioso7: Shirley Kirsten

I'm reminded of a quote attributed to Sviatoslav Richter when asked how he approached a challenging new composition of virtuoso proportion: His reply-- "I read a new piece and then start practicing the place that irritates me the most. After learning that one I move to the next irritation, etc." Well, most of us would… Continue reading When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)