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Piano Technique: Nifty warm-up routines (Videos)

Phase one of lessons is a lively romp over the 88s. It sets the geography of the piano through a host of keys. Establishing a "feel" for the instrument with a supportive knowledge of key signatures, framed in buoyant rhythm, kicks things off. Here are few examples from Claudia's lesson. At age 11, she's advanced… Continue reading Piano Technique: Nifty warm-up routines (Videos)

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Teaching Clowns by Kabalevsky, from the Op. 39 Children’s Pieces for piano

This is a tricky miniature packed with robust energy. The parallel Major/minor duality is fleshed out with a quick build-up to climax. The challenge is to sustain a Left Hand staccato ostinato, a repeated bass pattern, while observing separate articulation and phrasing in the right hand. Effective dynamic contrasts make a performance even more poignant.… Continue reading Teaching Clowns by Kabalevsky, from the Op. 39 Children’s Pieces for piano

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Piano Technique: Braving the slippery slope of black keys, practicing the F# Major Arpeggio (VIDEO)

Why all the prejudice against black notes? I, for one, avoided them like the plague for years. And my teachers were enablers, keeping me and other students contentedly in C Major to avoid widespread unrest. Their benign neglect of the blacks, in the the end, came at great cost. We teetered on the edge when… Continue reading Piano Technique: Braving the slippery slope of black keys, practicing the F# Major Arpeggio (VIDEO)

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Piano Technique: Tackling the Bb Major arpeggio in chunks! (VIDEO)

Here we go again with my athletic mantra. Especially with the World Series having drawn to a close, pianists need to look to their sports heroes for relevant guidance in building their technique from the ground up. So let's start at home plate with the root of the tricky Bb Major arpeggio. This romp across… Continue reading Piano Technique: Tackling the Bb Major arpeggio in chunks! (VIDEO)

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Piano Technique: Forearm and finger emphasized staccato (Videos)

More often than not, pianists acquire insights about piano technique through self-exploration and analysis. (trial and error attempts) Others have had mentors who demonstrated physical approaches to the piano that paved a learning path for the next generation of students. And finally, pupils, themselves have always provided a window for teachers to clarify their own… Continue reading Piano Technique: Forearm and finger emphasized staccato (Videos)

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Piano Technique: “Hopping” in thirds (staccato)–excerpts from two lessons (Video)

Ilyana, 8 and her sister Albertina, 12, explored "hopping" in consecutive thirds at their lessons. (Dozen a Day, Book I, no. 3) They enlisted a spring forward wrist, and tapered the end of a phrase with a swing out elbow motion. http://www.youtube.com/watch?v=pM3d3RYlUk8