Category: playing the piano with a singing tone

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Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

arioso7: Shirley Kirsten

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi's well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the "feeling" of ONE impulse per measure not three. And this sense of ONENESS suggests CIRCLES of motion which… Continue reading Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

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Piano Lesson: An adult student continues her Beethoven “Fur Elise” learning process (Video)

arioso7: Shirley Kirsten

These are excerpts from today's lesson where we covered: 1. Broken chord blocking; refreshing inversions of the Tonic as applied to practicing Fur Elise. 2. Voice balancing: fleshing out the treble (soprano) melody, on page 2 (F Major section) Using supple wrist and hand rotation; relaxation of arms. 3. C section--with repeated bass notes, alternating… Continue reading Piano Lesson: An adult student continues her Beethoven “Fur Elise” learning process (Video)

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Piano Technique: Exploring contrasting emotions when practicing a piece (as Daniil Trifonov, pianist, recommended in his videotaped interview)

arioso7: Shirley Kirsten

I put into "practice" one of Trifonov's recommendations, as I mentored a second year piano student this evening. We started the lesson by playing "happy" and then "angry" consecutive staccato thirds. ("Hopping" from Dozen a Day) http://www.youtube.com/watch?v=VaGlz5pKDZI Eventually after completing our scale and other technical routines, we applied the emotion shifts to the opening of… Continue reading Piano Technique: Exploring contrasting emotions when practicing a piece (as Daniil Trifonov, pianist, recommended in his videotaped interview)

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An exceptional set of piano “arrangements” for Intermediate Level students (Carnival of the Animals) VIDEOS

arioso7: Shirley Kirsten

In the past, I've ranted against giving piano students "arrangements" of celebrated compositions like Fur Elise and Chopin's Waltz in Eb Major. The latter appears, significantly reduced, in the Faber Adult Accelerated edition. It's a token Classical music offering interspersed by Boogie Woogie snatches. Oh, I forgot the revised Eine Kleine Nachtmusik, and a curious… Continue reading An exceptional set of piano “arrangements” for Intermediate Level students (Carnival of the Animals) VIDEOS

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The joy and value of teaching a piano student over many years

arioso7: Shirley Kirsten

Claudia, age 6 playing a duet with me I recall Elaine Comparone, the renowned harpsichordist having described a student she had mentored for 35 years before a move cut short a lasting musical relationship. "She was the real deal," the musician insisted. Seymour Bernstein, author, With Your Own Two Hands, often shared the joy of… Continue reading The joy and value of teaching a piano student over many years

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Piano Instruction: A charming, quick-paced piece for late elementary students, titled “Clowns,” by Gillock (VIDEO)

arioso7: Shirley Kirsten

Continuing my tribute to the prolific and talented composer, William Gillock, I've snatched "Clowns" from Volume Two of his Accent on Gillock collection. (published by Willis Music Company) Not to be long-winded about my approach to teaching this sprightly composition, I simply outline a step-wise practicing routine. 1) Since the melody is divided between the… Continue reading Piano Instruction: A charming, quick-paced piece for late elementary students, titled “Clowns,” by Gillock (VIDEO)

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Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)

arioso7: Shirley Kirsten

Last night I sat myself down at my imperfectly regulated Steinway M grand and managed to sigh several times through torrents of phrases crafted by design and inspiration to tug at the heartstrings. And in the video below, I journeyed in baby steps through this intensely emotional landscape pinpointing how I could flesh out the… Continue reading Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)