Category Archives: practicing piano passages with rhythms

Piano Practicing: Breathing into phrases and blocking out passages (Mozart Sonata, example)

Posted on July 20, 2013 by

I’ve picked the first two pages of Mozart’s Sonata in Bb Major, K. 281, last movement, Rondeau, Allegro to explore breathing and blocking techniques in the learning process. (These principles can be applied to practicing music from a variety of … Continue reading →

Posted in breathing and piano lessons, classissima, Mozart, Mozart Sonata in Bb K. 281, Mozart Sonata in Bb K. 281 Rondeau, piano, piano addict, piano blog, piano blogs, piano instruction, piano lessons, piano lessons by Skype, piano lessons for adults, piano lessons in Berkeley California, piano lessons in El Cerrito California, piano practicing, piano student, piano technique, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano, practicing piano in slow tempo, practicing piano passages with rhythms, practicing piano with relaxation, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, Skype piano lessons, skyped piano lessons, Steinway piano, Steinway pianos, supple wrist in piano playing, teaching a piano student about melody, teaching an adult student, teaching piano, teaching piano to adult students, teaching piano to adults, the art of piano playing, whole body listening, whole body music listening, Wolfgang Amadeus Mozart, word press, word press.com, wordpress, wordpress.com, you tube video, you tube.com, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

Posted on April 6, 2012 by

In order from Part One to Six: I. II. III. IV. V. VI. LINKS: Part ONE: Beethoven Tempest Sonata in D minor https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction https://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART … Continue reading →

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Piano Technique: More wrist-forward rolling motion in Sonatina by Clementi Op. 36 no. 1 Vivace (Videos)

Posted on March 1, 2012 by

In two videos, I flesh out the need for a rolling forward wrist motion in playing the last movement of Clementi’s well-known Sonatina in C, vivace. In addition, a 3/8 meter designation in rapid tempo requires the “feeling” of ONE … Continue reading →

Posted in Clementi Sonatina in C Op. 36 no. 1, Clementi Sonatina in C Op. 36 no. 1 Vivace, forward rolling wrist motion, Journal of a Piano Teacher from New York to California, phrasing at the piano, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano playing and the singing tone, piano practicing, piano practicing motivators, piano practicing with use of a camcorder, piano repertoire, piano studio, piano study, piano teacher, piano teaching, piano teaching repertoire, piano technique, piano tutorial, piano warm-ups, Piano World, piano world-wide, pianoworld, pianoworld.com, playing piano, playing piano with expression, playing staccato, playing staccato at the piano, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, practicing piano passages with rhythms, practicing piano with relaxation, practicing the left hand at the piano, publishersmarketplace, publishersmarketplace.com, scale fingerings, scales, scales and arpeggios, scales for the piano, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, Steinway grand piano, Steinway M grand, supple wrist in piano playing, swinging arms in playing piano, teaching a piano student about melody, teaching piano, teaching piano to adults, teaching piano to children, teaching piano to teenagers, whole body listening, whole body music listening, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: Even the Big Boys practice with rhythms–Cziffra demonstrates

Posted on December 11, 2011 by

I’m a great admirer of the late Gyorgy Cziffra and his towering virtuosity. If anyone was under appreciated during his lifetime it was this wondrous pianist whose every phrase had meaning, intent, and emotion. Cyprien Katsaris, a dazzling performer in … Continue reading →

Posted in Chopin, Chopin Waltz no. 14 in e minor, Chopin Waltz Op. 64 no. 1, Chopin Waltz Op. 64 no. 2, Cyprien Katsaris, Cziffra, Frederic Chopin, Gyorgy Cziffra, pianist, piano technique, practicing piano passages with rhythms, Scarlatti Sonata K. 96 in D, Uncategorized, virtuoso pianists, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , | Leave a comment