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Tchaikovsky’s “Harmonica Player” fits snugly between a Song and Dance

When I first stumbled upon "The Harmonic Player," No. 12, from Tchaikovsky's Op. 39 Children's Album, my first thought was, "Why on earth did the great composer include such tirelessly redundant music with an unimaginative harmonic scheme and belabored melody." For certain, as a stand-alone, it could be easily passed over--- dismissed as a throwaway… Continue reading Tchaikovsky’s “Harmonica Player” fits snugly between a Song and Dance

Brigitte Engerer, music, piano pedagogy, Piano Street, Rada Bukhman, word press.com, wordpress, wordpress.com, you tube video, you tube.com, yout tube

Favorite Tchaikovsky piano pieces and their pedagogical value

I made a promise to myself well before the New Year, that I would learn one new Tchaikovsky composition each day from the composer's Op. 39 Children's Album. (24 tableaux) Not that I'm recommending to piano students that they assimilate new music at lightning speed, but for me the challenge was to make a spurt… Continue reading Favorite Tchaikovsky piano pieces and their pedagogical value

classissima, classissima.com, Elaine Comparone, harpsichord, Jeffrey Biegel, Journal of a Piano Teacher from New York to California, piano, piano lesson, piano pedagogy, piano teaching, Rada Bukhman, Seymour Bernstein, styles of piano teaching, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, youtube.com

Should a teacher demonstrate phrasing and interpretation for a student?

I asked a few piano teachers and a harpsichordist if they felt playing passages, phrases for a student was a viable way to teach, and why? Seymour Bernstein, author, With Your Own Two Hands, rendered a riveting opinion: "I have never taken a lesson with a pianist-teacher who didn’t demonstrate musical and technical points under… Continue reading Should a teacher demonstrate phrasing and interpretation for a student?

"In the Garden" by Samuel Maykapar, classissima, classissima.com, Journal of a Piano Teacher from New York to California, Maykapar Russian Composer, piano, piano addict, piano instruction, piano lessons, Piano Street, piano teaching, Piano World, Rada Bukhman, Samuel Maykapar, Shirley Kirsten, Shirley Smith Kirsten, The Russian School of Piano Playing, word press, word press.com, wordpress, yout tube, youtube.com

A Russian composer’s colorful pieces with a strong teaching dimension

Native Russian, Samuel Maykapar (b.1867, d. 1938) composed a set of gorgeous, program-inspired pieces, that are carefully phrased, articulated, and fingered. The music is ear-catching in the spirit of Dimitri Kabalevsky and William Gillock as all three composers were highly expressive and imaginative within a pedagogical framing. Maykapar aims to teach an ebullient, crisp staccato… Continue reading A Russian composer’s colorful pieces with a strong teaching dimension

classissima, classissima.com, Discovering Color Behind the Kyes The Essence of the Russian School of Piano Playing by Rada Bukhman, Journal of a Piano Teacher from New York to California, piano, piano instruction, piano lessons, piano teaching, Rada Bukhman, Shirley Kirsten, Shirley Smith Kirsten, The Essence of the Russian School of Piano Playing, The Russian School of Piano Playing, word press, word press.com, wordpress, wordpress.com, you tube video, you tube.com, yout tube, youtube.com

An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”

Rada Bukhman, a Vancouver-based piano teacher with native Russian roots, has produced a 212-page soft cover volume that entices with its interspersed selections of compositions at various learning levels. The text offers a variety of fascinating topics, "Developing Initial Musical Skills: on the Nature and Development of a Musical Ear, on Rhythm, Preparatory Stage, Sight-Reading"… Continue reading An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”