Category: Romantic era music

arioso7, blog, blogger, blogging, blogging about piano, California, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano studio, Felix Mendelssohn, Mendelssohn Children's Piece Op. 72 no. 1, music, music and heart, music and the breath, New York City High School of Performing Arts, New York University, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano playing, piano playing and breathing, piano playing and phrasing, piano playing and the singing tone, piano studio, piano study, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano tutorial, Piano World, piano world-wide, pianoaddict.com, Romantic era music, sight-reading and piano playing, Sviatoslav Richter, video instruction, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

arioso7: Shirley Kirsten

I'm reminded of a quote attributed to Sviatoslav Richter when asked how he approached a challenging new composition of virtuoso proportion: His reply-- "I read a new piece and then start practicing the place that irritates me the most. After learning that one I move to the next irritation, etc." Well, most of us would… Continue reading When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

Camille Saint-Saens, classissima, classissima.com, Journal of a Piano Teacher from New York to California, MTAC, music teachers association of california, pianist, pianists, piano, piano addict, piano arrangements, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano pedagogy, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano student, piano study, piano teacher, piano technique, piano technique and the singing tone, piano transcriptions, piano tutorial, Piano World, piano world-wide, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing the piano, playing the piano with a singing tone, publishersmarketplace, publishersmarketplace.com, Rina 4 takes piano lessons, Rina takes piano lessons, Romantic era music, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, Steinway M, Steinway M grand piano, studying piano, teaching a piano student about melody, teaching piano, teaching piano to children, The Lion from Carnival of the Animals, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

An exceptional set of piano “arrangements” for Intermediate Level students (Carnival of the Animals) VIDEOS

arioso7: Shirley Kirsten

In the past, I've ranted against giving piano students "arrangements" of celebrated compositions like Fur Elise and Chopin's Waltz in Eb Major. The latter appears, significantly reduced, in the Faber Adult Accelerated edition. It's a token Classical music offering interspersed by Boogie Woogie snatches. Oh, I forgot the revised Eine Kleine Nachtmusik, and a curious… Continue reading An exceptional set of piano “arrangements” for Intermediate Level students (Carnival of the Animals) VIDEOS

Baroque era music, Chopin, Chopin Nocturne in F Major Op. 15 No. 1, classissima, classissima.com, harmonic analysis, harmonic rhythm, how to boos piano technique, Martha Argerich, pianist, pianists, piano, piano instruction, piano instructor, piano lesson, piano lessons, piano lessons and parental support, piano masterclasses, piano pedagogy, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, piano repertoire, piano repertoire for intermediate level students, piano student, piano students who drop out, piano studio, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano technique, piano technique and the singing tone, piano tutorial, piano world-wide, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Romantic era music, Romantic era piano repertoire, Romantic music, Scarlatti Sonatas, Scarlatti Toccata in d minor k. 141, Seymour Bernstein, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Steinway M grand piano, Steinway piano, Teach Street, teaching piano, trills, Twenty five Progressive pieces by Burgmuller, videotaping a piano performance and self analysis, videotaping at piano lessons, whole body listening, whole body music listening, With your own Two Hands by Seymour Bernstein, word press, wordpress.com, You and the Piano Seymour Bernstein, You and the PIano Seymour Bernstein on You Tube, you tube, you tube video

Practicing knotty piano passages, and tips on how to avoid fatigue while boosting technique (Videos)

arioso7: Shirley Kirsten

At my You Tube Channel site, I routinely pick up comments daily, and the majority center on piano technique. While I lay no claim to being an expert in this complex universe, my trial and error practicing over decades has come with insights that I enjoy sharing. Earlier today, I'd noticed the following note posted… Continue reading Practicing knotty piano passages, and tips on how to avoid fatigue while boosting technique (Videos)

Nikolai Lugansky, pianist, pianists, piano, piano instruction, piano instructor, piano lesson, piano lessons, piano masterclass, piano repertoire, piano student, piano teacher, piano teacher and student relationships, piano teachers, piano teaching, piano teaching repertoire, piano technique, piano virtuosos, pianoaddict.com, pianoworld, pianoworld.com, playing piano, Romantic era music, Romantic music, Russian pianist, Russian piano teacher, Russian virtuoso pianist, Schumann Faschingsschwank aus Wien, Schumann Faschingsschwank aus Wien Intermezzo, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, Tatiana Nikolayeva, Tatiana Nikolayeva teacher of Nikolai Lugansky, Uncategorized, word press, wordpress.com, you tube, you tube video

Lugansky’s piano teacher, Tatiana Nikolayeva, displayed greatness in her own right

arioso7: Shirley Kirsten

What an irony that Nikolai Lugansky, star pupil of Tatiana Nikolayeva was bestowed, perhaps by chance, the masculine form of his teacher-to-be's last name. A prophetic link for both. I noticed that the esteemed teacher Dimitri Bashkirov, refers to his daughter's surname, Bashkirova, so the feminine equivalent of Russian names is often taken within a… Continue reading Lugansky’s piano teacher, Tatiana Nikolayeva, displayed greatness in her own right

Alfred Cortot, Arthur Rubenstein, Artur Rubenstein, Artur Rubstein and Chopin, Artur Schnabel, Butterfly by Edvard Grieg, Chopin, Chopin Waltz, Chopin Waltz in Ab Major Op. 69 no. 1, Chopin Waltz in Ab Op. 69 no. 1, Edvard Grieg, Frederic Chopin, iMac, Leonard Pennario, Mary Kunz Goldman, Mary Kunz Goldman authorized biographer of Leonard Pennario, pianist, piano, piano repertoire, piano technique, Piano World, pianoworld, pianoworld.com, playing piano, Romantic era music, Romantic music, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, Stephen Hough, tempo rubato, The art of phrasing at the piano, the art of piano playing, Uncategorized, whole body music listening, word press, wordpress.com, Yeti mic, Yeti microphone, you tube, you tube video

Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons

arioso7: Shirley Kirsten

First, I have to admit that my prized Yeti mic suffered yet another break-down. "Break" is to be emphasized. I tripped over the wire on the way to Haddy Haddorff, and the sensitive connector from iMac's USB port to the mic itself was altered. Yeti wouldn't register on "Preferences" as an external no matter how… Continue reading Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons

classissima.com, compare performances of Liszt Contemplation no. 3, Daniel Barenboim, George Li, Liszt, Liszt Consolation no. 3, Liszt Contemplation no. 3, Oberlin, Oberlin Conservatory, pianist, piano, Piano World, pianoaddict.com, Pianostreet.com, Romantic era music, Romantic music, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, tempo rubato, Vladimir Horowitz, word press, wordpress.com, you tube, you tube video

Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)

arioso7: Shirley Kirsten

After listening intently to Horowitz's reading, I was curious to find others to compare. No doubt a diversity of opinion surrounds any performance, but I had some ideas about why I liked one reading over another. Daniel Barenboim: I always find that his playing is not only inspiring but thoughtful. He delivers an intimate performance… Continue reading Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)

Aiden Cat, Chopin, Chopin Waltz in c# minor Op. 64 no.2, Frederic Chopin, piano repertoire, piano technique, Piano World, pianoaddict.com, pianoworld, pianoworld.com, playing piano, Romantic era music, Romantic music, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, whole body listening, whole body music listening, word press, wordpress.com, you tube, you tube video

Aiden Cat crashes the piano bench and messes up a video in progress (Chopin’s C# minor Waltz, Op. 64)

arioso7: Shirley Kirsten

It's one thing to invite Aiden onto the piano bench for a front row seat, but it's quite another when he appears out of nowhere, lands beside me, and ruins a recording in progress. Last night Aiden did just that. After he broke into the Chopin C# minor Waltz, he knew he was the lion… Continue reading Aiden Cat crashes the piano bench and messes up a video in progress (Chopin’s C# minor Waltz, Op. 64)

Chopin, Chopin Barcarolle, Chopin Mazurka, Chopin Mazurka in G minor Op. 63 no. 3, classissima, classissima.com, Frederic Chopin, International Piano Institute at Mannes College, Irena Orlov, Irina Gorin, Irina Gorin piano studio, Irina Morozova, Levine School of Music, Levine School of Music in Washington, Levine School of Music in Washington D.C., Mannes College of Music, mind body connection, music, music and heart, music and the breath, phrasing at the piano, piano playing and phrasing, piano playing and relaxation, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, producing a singing tone legato at the piano, publishersmarketplace, publishersmarketplace.com, Romantic era music, Romantic music, self-analysis, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, singing tone legato, studying piano, talkclassical.com, tempo rubato, The art of phrasing at the piano, the art of piano playing, video performances, whole body listening, whole body music listening, word press, wordpress.com, you tube, you tube video

Ethereal piano playing: Another Irina, with an i in the middle, brings heaven to earth

arioso7: Shirley Kirsten

This is the special month of Irina, Irena, and still another Irina. The latest messenger of beauty via You Tube is Irina Morozova. And as fate would have it, one of my readers, owner of a Knight piano treasure, e-mailed me a sample of her Bach-Siloti, which sent me feverishly finger-tapping the search window for… Continue reading Ethereal piano playing: Another Irina, with an i in the middle, brings heaven to earth

"Butterfly" by Grieg, classissima, classissima.com, Edvard Grieg, emotion in music, emotional meaning of music, Grieg Lyric Pieces, muscular memory, music, music and heart, music and the breath, musical inspiration, musical phrasing, musical phrasing and breathing, nature and music, phrasing at the piano, pianist, piano, piano addict, piano instruction, piano lessons, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, piano repertoire, piano technique, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Romantic era music, Romantic music, self-analysis, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, slow mindful practicing, slow piano practicing, Steinway M grand piano, Teach Street, teaching piano, technique, tempo rubato, The art of phrasing at the piano, whole body listening, whole body music listening, word press, wordpress.com, you tube, you tube video

Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

arioso7: Shirley Kirsten

I can see the butterfly in my mind's eye in its flight of fancy. But I wish it were as easy to play, as to imagine. Relaxation is the key word here, but not to the point that the 16th-notes become like glissandi--a faint gloss over the keys. First in slow practice tempo you would… Continue reading Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

Chopin Waltz Op. 64 no. 1, Cyprien Katsaris, Masterclass Media Foundation, mind body connection, mindful piano practicing, music, music and heart, phrasing at the piano, piano, piano instruction, piano instructor, piano lesson, piano masterclass, piano masterclasses, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano student, piano teaching repertoire, piano technique, Piano World, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, Romantic era music, Romantic music, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, talkclassical.com, Teach Street, teaching piano to children, The art of phrasing at the piano, whole body listening, whole body music listening, word press, wordpress.com, you tube, you tube video

A Little Dog Chasing its Tail: Cyprien Katsaris celebrates Chopin in this inspired Masterclass (Waltz, Op. 64 no. 1)

arioso7: Shirley Kirsten

Cyprien Katsaris is a teacher's teacher and pianist's pianist. His prowess is on full display in a masterclass with a young girl who plays the Chopin Waltz, op. 64 no. 1. (Kudos to the Masterclass Media Foundation for adding this gem to its roster) http://www.youtube.com/watch?v=aUqLjdy4cO4 Like Boris Berman, Katsaris has a unique talent for transforming… Continue reading A Little Dog Chasing its Tail: Cyprien Katsaris celebrates Chopin in this inspired Masterclass (Waltz, Op. 64 no. 1)