Who would have thought that a Romantic era character piece of short length could have so much to savor on multi-tiered levels? Relentless triplets with double stemmed quarters, seemed at first glance to direct the player toward a horizontal rendering of a conspicuous melodic thread that's reinforced by the highest notes in the Right Hand.… Continue reading A deep immersion in Schumann’s Wiegenliedchen, Cradle Song No. 6, Op. 124
In Felix Mendelssohn's Op. 30, No. 6 Gondola Song, the very character of the lilting motion is sustained in the Left Hand with a metrical awareness of Two beats per measure, not 6. The composition (from the Songs Without Words album) is in 6/8 but translated as duple compound, giving a leaning emphasis on the… Continue reading Capturing the rocking motion of Mendelssohn’s F# minor Venetian Boat Song
Chopin cloaked one of his most memorable preludes in lush harmonies that reveal the beauty of a simple melody.
At my You Tube Channel site, I routinely pick up comments daily, and the majority center on piano technique. While I lay no claim to being an expert in this complex universe, my trial and error practicing over decades has come with insights that I enjoy sharing. Earlier today, I'd noticed the following note posted… Continue reading Practicing knotty piano passages, and tips on how to avoid fatigue while boosting technique (Videos)
What an irony that Nikolai Lugansky, star pupil of Tatiana Nikolayeva was bestowed, perhaps by chance, the masculine form of his teacher-to-be's last name. A prophetic link for both. I noticed that the esteemed teacher Dimitri Bashkirov, refers to his daughter's surname, Bashkirova, so the feminine equivalent of Russian names is often taken within a… Continue reading Lugansky’s piano teacher, Tatiana Nikolayeva, displayed greatness in her own right
The nearly 7-minute You Tube interview was telling. Luganksy waxed poetic about poetry, and recited one of his favorites by Boris Pasternak. It was in Russian, but it's lyrical lines stole the show. No translation needed. He was seated beside a conductor named Petrenko, and both were being queried by the first bassist of the… Continue reading Nikolai Lugansky, pianist, plays chess and loves poetry
First, I have to admit that my prized Yeti mic suffered yet another break-down. "Break" is to be emphasized. I tripped over the wire on the way to Haddy Haddorff, and the sensitive connector from iMac's USB port to the mic itself was altered. Yeti wouldn't register on "Preferences" as an external no matter how… Continue reading Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons