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Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

I can see the butterfly in my mind's eye in its flight of fancy. But I wish it were as easy to play, as to imagine. Relaxation is the key word here, but not to the point that the 16th-notes become like glissandi--a faint gloss over the keys. First in slow practice tempo you would… Continue reading Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

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A Little Dog Chasing its Tail: Cyprien Katsaris celebrates Chopin in this inspired Masterclass (Waltz, Op. 64 no. 1)

Cyprien Katsaris is a teacher's teacher and pianist's pianist. His prowess is on full display in a masterclass with a young girl who plays the Chopin Waltz, op. 64 no. 1. (Kudos to the Masterclass Media Foundation for adding this gem to its roster) http://www.youtube.com/watch?v=aUqLjdy4cO4 Like Boris Berman, Katsaris has a unique talent for transforming… Continue reading A Little Dog Chasing its Tail: Cyprien Katsaris celebrates Chopin in this inspired Masterclass (Waltz, Op. 64 no. 1)

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SKYPING Chopin: sculpting phrases with relaxed arms and supple wrists in the Waltz no. 19 in A minor, Op. Posthum. (Videos)

Aside from the prelude to this transmission having been launched by Aiden Cat, most of yesterday's lesson was noteworthy for its focus on phrasing the Chopin Waltz No. 19 in A minor, Op. Posthumous. http://www.youtube.com/watch?v=epBXjDqFVaA Between California and Australia A new Logitech camera provided an astonishing over the shoulder view of "Daniel" seated at his… Continue reading SKYPING Chopin: sculpting phrases with relaxed arms and supple wrists in the Waltz no. 19 in A minor, Op. Posthum. (Videos)

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Sight-reading is an appetizer to main course detailed practicing

I've often met very skilled sight-readers who were not necessarily adept at playing their assigned pieces smoothly with good fingering and well shaped phrases. It's because they viewed the first "read through" as a primary goal. They had gotten so used to a superficial overview of a piece, that to go to the next step,… Continue reading Sight-reading is an appetizer to main course detailed practicing

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Rolling arm movements and videotaped slow motion replay of Chopin’s Waltz in C# minor, piu mosso section

I demonstrate a swing or roll of the arms to realize the circular flow of the piu mosso section of Chopin's Waltz in C# minor, Op. 64, no 2. At the end, I add slow motion frames. Needless to say a state of relaxation is desirable to achieve Oneness with the piano. Mindful practicing and… Continue reading Rolling arm movements and videotaped slow motion replay of Chopin’s Waltz in C# minor, piu mosso section

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Piano Technique: Spot Practicing a nagging E Major Arpeggio in Chopin’s Waltz No. 19 in A minor, Measures 21-24 (video)

Two of my students are studying this Waltz in A minor No. 19, and both have difficulty navigating the E Major Arpeggio, measures 21-24 with its eventual resolution to the A minor tonic. I don't believe playing this arpeggio smoothly has anything to do with hand size or physical stature of either student. One is… Continue reading Piano Technique: Spot Practicing a nagging E Major Arpeggio in Chopin’s Waltz No. 19 in A minor, Measures 21-24 (video)

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Piano Lesson: Chopin Prelude in B minor, Op. 28 (Video) and playing through

This is a very funereal composition, with a sighing if not sobbing right hand motif that permeates the musical mosaic. The left hand has a cello line that provides the solo melodic thread in the course of the Prelude, though a few brief measures in the right hand should be fleshed out. I highlight these… Continue reading Piano Lesson: Chopin Prelude in B minor, Op. 28 (Video) and playing through

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Piano Practicing: Re-doing and Refining

Studying piano, playing through the great piano literature, requires revisiting, re-doing and refining our work. This undertaking should not carry a value judgment that what preceded was poor or inadequate. Those adjectives do not belong to the process of learning. After all, we do not fault babies for crawling before walking because we realize it's… Continue reading Piano Practicing: Re-doing and Refining

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Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

http://www.youtube.com/watch?v=aCck4ZFNeQI When students do routine scales and arpeggios as warm-ups to their tour de force pieces, I like to spice things up a bit by playing around with voicing and weight control. (Yes, you heard me right) I'll surprise them by asking for the Left hand notes to be fleshed out, while the Right ones… Continue reading Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

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Piano Instruction: Using the wrist to taper phrases

I've always believed that it's not enough to rely on fingers, or finger action alone, to play the piano expressively. For me, enlisting the wrist, and rolling into notes, especially those that are shaped down at the conclusion of phrases are recommended. In the attached video, I compare the progression of shorter notes to a… Continue reading Piano Instruction: Using the wrist to taper phrases