Category: Rondo form

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Memorization at the piano: How to improve your skills

arioso7: Shirley Kirsten

Memorization should be a natural outflow of consistent, thoughtful practicing. Thoughtful is underscored because it's the most important ingredient in the process of playing a studied piece without music. It means having mental assists that relate to mapping out a particular composition without chance reliance on intuition or instinct. So if you suddenly find yourself… Continue reading Memorization at the piano: How to improve your skills

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Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=Yh09WH_g7wo I can always use an extra pair of hands to navigate the Baroque composer's technically challenging sonata It's a real workout playing Domenico Scarlatti's essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer's music require a daredevil to take on the challenge. Scarlatti will sometimes defy a player… Continue reading Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

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Great Piano Teaching Moments

arioso7: Shirley Kirsten

This remarkable piece of film footage inspired a stream of others. http://www.youtube.com/watch?v=5Ur7SoOVRhk Nadia Boulanger (b.1887-d.1979) the esteemed teacher, composer, theoretician, organist, pianist, taught and influenced so many great musical creators such as Leonard Bernstein, Aaron Copeland, Virgil Thomson, Walter Piston and Philip Glass. From Wikipedia: "Boulanger's teaching methods included traditional harmony, score reading at the… Continue reading Great Piano Teaching Moments

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Mozart Rondo: Allegretto K. 545, Performance and Analysis

arioso7: Shirley Kirsten

Performance: http://youtu.be/Meb-yhioUIo Analysis: http://www.youtube.com/watch?v=Q6oSo-WC9OM&feature=related The Rondo, more often than not, is the form used in the last movement of a Classical era Sonata. (The Classical period roughly encompasses the years between 1750 and 1830) The Rondo is usually a brisk, lively and energetic movement that brings a sonata to a definitive conclusion. It is in… Continue reading Mozart Rondo: Allegretto K. 545, Performance and Analysis

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On the Meat Rack of used pianos: One that Never Left Its Home

arioso7: Shirley Kirsten

I received a phone call on a June morning from a man who inquired about my piano-finding services. He sounded like he might be from India, but I wasn’t sure. “Do you help with selling a piano?” he inquired. "On occasion, I do," I replied. "It depends on the quality of the instrument." I could… Continue reading On the Meat Rack of used pianos: One that Never Left Its Home

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Piano Instruction: Mozart Rondo: Allegretto, 3rd mvt. Sonata in C, K. 545

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=Q6oSo-WC9OM http://youtu.be/Meb-yhioUIo In this instructional video I analyze the form and musical content of Mozart's Sonata in C Major, K. 545, Rondo: Allegretto, Third movement. (I play behind tempo to make the commentary and musical phrases more understandable) The Rondo, more often than not, is the form used in the last movement of a Classical… Continue reading Piano Instruction: Mozart Rondo: Allegretto, 3rd mvt. Sonata in C, K. 545