Category Archives: Seymour Bernstein

Happy Birthday, Seymour Bernstein!

I just sent the following message back East! “Seymour, May this be the best year ever with continued celebration of your wondrous achievements as a pianist, teacher, composer, author, philosopher, and global musical ambassador.” While gratitude is expressed far and … Continue reading

Posted in documentary, Eberfest, Ethan Hawke, film, piano, Roger Ebert, Seymour Bernstein, Seymour: An Introduction | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Run! to see Seymour: An Introduction, Ethan Hawke’s film masterpiece

I went! I cried! I applauded! Those of us immersed in the arts as students and teachers, felt especially validated. On the East Coast, harpsichordist, Elaine Comparone was riveted to the Big Screen just as I nestled into a snug … Continue reading

Posted in Ethan Hawke, Ethan Hawke documentary, piano blog, piano blogging, piano teaching, Seymour Bernstein, Seymour: An Introduction | Tagged , , , , , , , , , , , , , , , , , , , , , , | 21 Comments

Should a teacher demonstrate phrasing and interpretation for a student?

I asked a few piano teachers and a harpsichordist if they felt playing passages, phrases for a student was a viable way to teach, and why? Seymour Bernstein, author, With Your Own Two Hands, rendered a riveting opinion: “I have … Continue reading

Posted in classissima, classissima.com, Elaine Comparone, harpsichord, Jeffrey Biegel, Journal of a Piano Teacher from New York to California, piano, piano lesson, piano pedagogy, piano teaching, Rada Bukhman, Seymour Bernstein, styles of piano teaching, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, youtube.com | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Seymour Bernstein’s riveting statement about the piano competition environment and what changes are needed

“Are all of you listening to one spectacular young pianist after another? (Cliburn Competition in progress) “Why should they have to be placed in the position of competing against one another, and facing the possibility of being rejected by a … Continue reading

Posted in Journal of a Piano Teacher from New York to California, piano competitions, Seymour Bernstein, shirley smith, Shirley Smith Kirsten, Van Cliburn International Piano Competition, Van Cliburn piano competition | Tagged , , , , , , , , , , , , , , , , , | 6 Comments

Piano playing at its most inspirational level

Divine music-making from a seasoned pianist in a memorable retrospective Continue reading

Posted in classissima, classissima.com, Fantasia in C minor K.475 by Mozart, Mozart, piano, Seymour Bernstein, With your own Two Hands by Seymour Bernstein, Wolfgang Amadeus Mozart, wordpress, you tube, yout tube, youtube.com | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

The Haydn Piano Sonata in C, UNPINNED, and matters of Memorization

Pianists are expected to perform on stage without music. It’s a controversial area worth probing. Continue reading

Posted in "Tales of a Musical Journey" by Irina Gorin, classissima, classissima.com, Elaine Comparone, Harpsichord.org, how to improve memorization at the piano, Irina Gorin, piano, piano addict.com, Seymour Bernstein, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Fingering snarls in Mozart’s Allegretto, Sonata in C, K. 545 and suggested remedies from the experts

We all have our nemesis. The last measures (68-73) of Mozart’s rondo: Allegretto, K. 545, Sonata in C Major, have ensnared me, barring smooth passage to final cadence. For others the journey is uneventful. Who knows? Size of hands, finger … Continue reading

Posted in Beth Levin, Elaine Comparone, fingering choices and pianists, Irina Morozova pianist, Mozart, Mozart Allegretto K. 545, Seymour Bernstein, Uncategorized, Wolfgang Amadeus Mozart | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment