Matters of interpretation came up at the "Y" Gym yesterday when I bumped into the pianist from a North Berkeley house of worship. Aline is a fine musician who intersperses the service with great masterworks. Recently she played Grieg's "Wedding March" during the basket-passing which lifted spirits as it amassed $$$$. At that very instant,… Continue reading Interpreting piano music: Should we truly realize the composer’s intent?
Category: Sviatoslav Richter
A pianist is a COLLABORATOR NOT an “accompanist”
The "A" word is officially banished from my vocabulary, even if its residual usage in books, newspapers, old reviews, can't be controlled. To boot, anyone who's been handed a stack of music by the High School vocal teacher to ready for the mid-year Christmas program and a few others in between Thanksgiving and semester break,… Continue reading A pianist is a COLLABORATOR NOT an “accompanist”
Film art and great pianism fuse in a Richter documentary (The Enigma – Bruno Monsaingeon -1998- Parts I and 2)
A tribute to Richter in his own words, interspersed with examples of his great artistry
When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)
I'm reminded of a quote attributed to Sviatoslav Richter when asked how he approached a challenging new composition of virtuoso proportion: His reply-- "I read a new piece and then start practicing the place that irritates me the most. After learning that one I move to the next irritation, etc." Well, most of us would… Continue reading When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)