I'm a firm believer in teaching beautiful phrasing and musical expression from the very start of piano lessons. Taking individual notes, and producing a singing tone is a goal in itself which requires attentive listening, as well as sensitivity to the physical and mental aspects of playing. In this video, that unfortunately has some video/audio… Continue reading Teaching a young beginning piano student how to play expressively (Video)
Category: talkclassical.com
Piano Technique: Practicing a difficult section in Beethoven’s Sonata Pathetique, Op. 13, movement 1 (Video)
Some piano teachers prefer to improve a student's technique by selecting difficult passages from the mainstream piano literature rather than assign a load of scales, arpeggios and chords that journey around the Circle of Fifths. I still believe the best foundation upon which to build a solid understanding of the piano repertoire is by studying… Continue reading Piano Technique: Practicing a difficult section in Beethoven’s Sonata Pathetique, Op. 13, movement 1 (Video)
Piano Instruction: J.S. Bach Invention no. 8 in F, BWV 779, using a spring forward wrist and hand rotation, Two Videos
I introduced my tutorial by playing a snatch from Edna-Mae Burnam's Dozen a Day, Book 1, no. 3 "Hopping." It was the springboard for the wrist motion I use when playing Invention 8 in F Major. I also enlist a hand rotation for a stream of 16ths in descending sequence, measures 4-6, and wherever else… Continue reading Piano Instruction: J.S. Bach Invention no. 8 in F, BWV 779, using a spring forward wrist and hand rotation, Two Videos
Pianists and Injuries
You can't avoid it. Athletics are part of piano playing so if you abuse your hands, arms, wrists, let alone your fingers, you'll end up benched, like an overused relief pitcher. Yesterday, I pushed the envelope, practicing rapid fire repeated notes in Domenico Scarlatti's Toccata in D minor, well into the night. Ample streams of… Continue reading Pianists and Injuries
Rolling arm movements and videotaped slow motion replay of Chopin’s Waltz in C# minor, piu mosso section
I demonstrate a swing or roll of the arms to realize the circular flow of the piu mosso section of Chopin's Waltz in C# minor, Op. 64, no 2. At the end, I add slow motion frames. Needless to say a state of relaxation is desirable to achieve Oneness with the piano. Mindful practicing and… Continue reading Rolling arm movements and videotaped slow motion replay of Chopin’s Waltz in C# minor, piu mosso section
Thoughts about teaching a 4-year old with an innovative approach (Tales of a Musical Journey)
I would never have entertained the idea of teaching a 4-year old child. Over the years I had adhered to a rigid age boundary when accepting new piano students. Seven was the magic number. When an opportunity arose to sample a new book created by Irina Gorin that focused on instruction for children in the… Continue reading Thoughts about teaching a 4-year old with an innovative approach (Tales of a Musical Journey)
The nitty gritty reasons why piano students drop out: Two staunchly different opinions
The current rage on the Internet surrounds a Facebook posting that claims a 95% dropout rate among piano students. The nitty gritty reasons cited by the poster are contained in what I view as a tirade against what he terms "standard lessons." He insists that the "music teaching industry" uses a "status quo method that… Continue reading The nitty gritty reasons why piano students drop out: Two staunchly different opinions
Piano Technique: Spot Practicing a nagging E Major Arpeggio in Chopin’s Waltz No. 19 in A minor, Measures 21-24 (video)
Two of my students are studying this Waltz in A minor No. 19, and both have difficulty navigating the E Major Arpeggio, measures 21-24 with its eventual resolution to the A minor tonic. I don't believe playing this arpeggio smoothly has anything to do with hand size or physical stature of either student. One is… Continue reading Piano Technique: Spot Practicing a nagging E Major Arpeggio in Chopin’s Waltz No. 19 in A minor, Measures 21-24 (video)
Piano Instruction: Chopin Prelude No. 4 in E minor, Op. 28, Teacher, Shirley Kirsten
http://youtu.be/By2h_rr9JSM http://youtu.be/TIWxLbW3Z38 Chopin composed 24 Preludes in Op. 28 exploring 24 different keys (Major and minor) with each Prelude having its own mood and character. In my step-by-step practicing of the E minor Prelude, I start with the Left Hand with its chordal mosaic, and listen attentively for descending chromatic movement between chords. In the… Continue reading Piano Instruction: Chopin Prelude No. 4 in E minor, Op. 28, Teacher, Shirley Kirsten
Piano Playing: How Anticipation can trip you up and what you can do about it. (Video)
Anticipation and its adverse influence on piano playing affect nearly every pianist regardless of level. It's a form of mind-wandering where the player's focus shifts from the here and now to musical events that will take place measures, if not phrases or even pages away. As a metaphor, imagine eating lunch but thinking ahead to… Continue reading Piano Playing: How Anticipation can trip you up and what you can do about it. (Video)
