Category: tempo rubato

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Tempo Rubato and Chopin Waltz in A minor No. 19, Op. Posthumous

arioso7: Shirley Kirsten

Tempo Rubato as defined in Wikipedia: "Tempo rubato (free in the presentation, Italian for: stolen time) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor." I think of it in… Continue reading Tempo Rubato and Chopin Waltz in A minor No. 19, Op. Posthumous

Chopin, Chopin Waltz, Chopin Waltz in C sharp minor, Frederic Chopin, piano instruction, piano lessons, piano technique, tempo rubato

An adult student excels: Chopin Waltz in C# minor, Op. 64, No. 2

arioso7: Shirley Kirsten

I'm beaming from ear to ear, as I showcase Julie's progress by way of a recent lesson collaboration. I say collaboration, because students and teachers learn together and gain insights as they take a common musical journey. Julie happens to be indirectly related to me. That is, her mother studied with concert pianist, Ena Bronstein… Continue reading An adult student excels: Chopin Waltz in C# minor, Op. 64, No. 2

Chopin Prelude in E Minor Op. 28 no. 4, chromaticism, classissima, classissima.com, Ffrederic Chopin, Frederic Chopin, Romantic era piano music, Romantic music, tempo rubato

Where harmonies shape phrases: Chopin’s Prelude in E minor, Op. 28, No. 4

arioso7: Shirley Kirsten

Chopin cloaked one of his most memorable preludes in lush harmonies that reveal the beauty of a simple melody.

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Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)

arioso7: Shirley Kirsten

Last night I sat myself down at my imperfectly regulated Steinway M grand and managed to sigh several times through torrents of phrases crafted by design and inspiration to tug at the heartstrings. And in the video below, I journeyed in baby steps through this intensely emotional landscape pinpointing how I could flesh out the… Continue reading Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)

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Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons

arioso7: Shirley Kirsten

First, I have to admit that my prized Yeti mic suffered yet another break-down. "Break" is to be emphasized. I tripped over the wire on the way to Haddy Haddorff, and the sensitive connector from iMac's USB port to the mic itself was altered. Yeti wouldn't register on "Preferences" as an external no matter how… Continue reading Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons

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Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)

arioso7: Shirley Kirsten

After listening intently to Horowitz's reading, I was curious to find others to compare. No doubt a diversity of opinion surrounds any performance, but I had some ideas about why I liked one reading over another. Daniel Barenboim: I always find that his playing is not only inspiring but thoughtful. He delivers an intimate performance… Continue reading Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)

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Ethereal piano playing: Another Irina, with an i in the middle, brings heaven to earth

arioso7: Shirley Kirsten

This is the special month of Irina, Irena, and still another Irina. The latest messenger of beauty via You Tube is Irina Morozova. And as fate would have it, one of my readers, owner of a Knight piano treasure, e-mailed me a sample of her Bach-Siloti, which sent me feverishly finger-tapping the search window for… Continue reading Ethereal piano playing: Another Irina, with an i in the middle, brings heaven to earth

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Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

arioso7: Shirley Kirsten

I can see the butterfly in my mind's eye in its flight of fancy. But I wish it were as easy to play, as to imagine. Relaxation is the key word here, but not to the point that the 16th-notes become like glissandi--a faint gloss over the keys. First in slow practice tempo you would… Continue reading Piano Technique: “Butterfly” by Grieg, a revisit (playing and exploring the rolling, rotational motion) videos

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SKYPING Chopin: sculpting phrases with relaxed arms and supple wrists in the Waltz no. 19 in A minor, Op. Posthum. (Videos)

arioso7: Shirley Kirsten

Aside from the prelude to this transmission having been launched by Aiden Cat, most of yesterday's lesson was noteworthy for its focus on phrasing the Chopin Waltz No. 19 in A minor, Op. Posthumous. http://www.youtube.com/watch?v=epBXjDqFVaA Between California and Australia A new Logitech camera provided an astonishing over the shoulder view of "Daniel" seated at his… Continue reading SKYPING Chopin: sculpting phrases with relaxed arms and supple wrists in the Waltz no. 19 in A minor, Op. Posthum. (Videos)

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More Lesson-in-Progress excerpts, Chopin Waltz in A minor, No. 19, Op. Posthumous (Video)

arioso7: Shirley Kirsten

Preserving teaching moments on video allows students an opportunity to review what transpired at their lesson as a springboard to improve practicing during the week. In this particular situation, I was able to e-mail the You Tube link to Claudia, 10, and Claire 8, both of whom are studying the Chopin A Minor Waltz No.… Continue reading More Lesson-in-Progress excerpts, Chopin Waltz in A minor, No. 19, Op. Posthumous (Video)