Category: Theory

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Piano Instruction: A Beautiful Mozart Minuet in F Major, K. 5 that enlists the dipping wrist (Videos)

arioso7: Shirley Kirsten

I stumbled upon this musical gem when I purchased Mozart, 14 of his Easiest Pieces (Alfred, publisher) Not at all deceived by the description "easiest," I read through the collection knowing the challenge of interpreting the master's music with expression and refinement. It should be noted that this Minuet was composed by Mozart at the… Continue reading Piano Instruction: A Beautiful Mozart Minuet in F Major, K. 5 that enlists the dipping wrist (Videos)

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Skyped Piano Lessons: Using video supplements as reinforcement (Video sent to an 8-year old student)

arioso7: Shirley Kirsten

Today I Skyped a third piano lesson between California and Oregon, and learned that the student I was mentoring was not 10-years old as I had thought all along, but only 8! Dad told me she had 10 months of lessons altogether, wherein I became involved only weeks ago at the father's invitation. But the… Continue reading Skyped Piano Lessons: Using video supplements as reinforcement (Video sent to an 8-year old student)

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Should piano students listen to recorded performances of pieces they are first beginning to learn?

arioso7: Shirley Kirsten

I was thinking of Palmer's edition of Chopin, an Introduction to His Music, and when I first purchased it years ago there was no inserted CD of recorded selections contained in the album. With subsequent published editions, a CD popped into an envelope, beckoning a player to sample another pianist's interpretation of music he had… Continue reading Should piano students listen to recorded performances of pieces they are first beginning to learn?

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Piano Instruction: Part Two Debussy Arabesque, No. 1, Teacher, Shirley Kirsten (Video #2)

arioso7: Shirley Kirsten

Part two transitions to A Major. (The composition is in E Major) and has a different character though motifs and ideas from the opening section intersperse this portion of the Arabesque. A very noteworthy change that occurs with the modulation to A Major, is a prevalence of chords, some of which move homophonically (in the… Continue reading Piano Instruction: Part Two Debussy Arabesque, No. 1, Teacher, Shirley Kirsten (Video #2)

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Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

arioso7: Shirley Kirsten

I first came to know this piece when a fifth grader at P.S. 122 in the Bronx was selected to play it at our student assembly. The ebb and flowing beauty of this work was so poignant, that I stored it away in my memory until I was able to personally experience this composition years… Continue reading Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

arioso7: Shirley Kirsten

The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/

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Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

arioso7: Shirley Kirsten

http://youtu.be/ii0KsFQjGNA This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative… Continue reading Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

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Learning and Memorizing Clementi Sonatina in C, Op. 36, No. 1, Mvt. 1 (Video)

arioso7: Shirley Kirsten

I begin by playing the Sonatina, first movement and then I map out the composition to advance thoughtful learning and memorization. http://www.youtube.com/watch?v=NNuMbp_q9X0 RELATED: https://arioso7.wordpress.com/2011/06/17/memorization-at-the-piano-how-to-improve-your-skills/

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Memorization at the piano: How to improve your skills

arioso7: Shirley Kirsten

Memorization should be a natural outflow of consistent, thoughtful practicing. Thoughtful is underscored because it's the most important ingredient in the process of playing a studied piece without music. It means having mental assists that relate to mapping out a particular composition without chance reliance on intuition or instinct. So if you suddenly find yourself… Continue reading Memorization at the piano: How to improve your skills

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Piano Instruction: Avoiding a Crash and Burn in Fast Tempo (Video)

arioso7: Shirley Kirsten

One of my adult students asked about how to stay in control when playing fast passages on the piano. She had found herself stumbling in brisk tempos, getting anxious, over-crowding the notes, and finally becoming so tangled up that she had to stop. The music essentially came to a grinding halt. My advice to her,… Continue reading Piano Instruction: Avoiding a Crash and Burn in Fast Tempo (Video)