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J.S. Bach Prelude in Ab, BWV 862: A Fresh Start for Student and Teacher

In the course of teaching, a situation may arise where a particular favored piece is requested by a student that I've never studied--which means a deep-layered journey is ahead of two learning partners. And given that J.S. Bach's Prelude and Fugue in Ab, (Well-Tempered Clavier Book 1) requires thoughtful fingering choices; an awareness of Baroque… Continue reading J.S. Bach Prelude in Ab, BWV 862: A Fresh Start for Student and Teacher

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Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice

A tricky chromatic scale with a turn-around at its end ushers in a stormy, impassioned section with cross-over hands. Some players observe the notation to a tee, and avoid these hand-over-hand maneuvers, but I, like many other pianists do the re-arranging in the interests of smoothly trailing a melodic line that starts in the bass… Continue reading Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice