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Piano Technique: Practicing dip/roll motions, and dead weight fat lady to skinny dipper for diminuendo (Videos)

I show my 13-year old student, Albertina how to dip/roll the last measures of Burgmuller’s frenzied Ballade, while applying weight control to taper a phrase. (diminuendo)

We’re on the final lap of preparation for Saturday’s Spring Recital!

ONLINE Webcam piano classes and Instructional schedule:

http://www.powhow.com/classes/shirley-kirsten

Play through:

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Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach

The Pastorale in D, included in Margery Halford’s Scarlatti, An Introduction to his Keyboard Works, poses significant musical challenges. In the technical realm, the composer has a tricky landscape of two-note legato figures as offbeats in the treble, and these are set against bass, dotted quarter rhythms. (This counterpoint is later inverted in the middle section)-Note that 12/8 meter is felt in 4.

Intertwined with this mosaic are a series of apoggiaturas, or non-harmonic tones that resolve into the bass chords through redundant two-note groupings. These passing harmonic clashes in duple 8ths are strongly “motivic” meaning they reflect the composer’s main idea in its smallest form.

In realizing these redundant figures, the pianist has to carefully lean on the dissonant note, and artfully resolve it. A supple wrist helps to shape down these slurs.

In my video instruction, I show ways to practice the Pastorale, starting with separate hands, isolating voices, blocking, and tracking harmonies. The application of a flexible wrist is naturally indispensable to this whole learning process, and playing with a singing tone should underlie all practicing.

LINKS:

LIVE webcam instruction at POWHOW

http://www.powhow.com/classes/shirley-kirsten

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Scarlatti Sonata in G, K. 431 Tutorial

https://arioso7.wordpress.com/2012/04/20/learning-a-new-piano-piece-quickly-and-thoroughly-videos/

Scarlatti Minuetto in C, L. 217 Tutorial:

https://arioso7.wordpress.com/2012/04/17/piano-instruction-domenico-scarlatti-minuetto-in-c-l-217-videos/

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Piano Instruction, Part FOUR, Beethoven’s “Tempest” Sonata in D minor, Op. 31, No. 2 (measures 55-93)

This tutorial references measure 55 to 93.

The composer settles into A minor through these measures and reinforces the A minor tonic to Neapolitan progression. (A minor to Bb Major chord) He elaborates, varies, and introduces a beautiful contrapuntal interplay of voices between treble and bass in measures 69-87. (All in A minor)

With a touch of majesty, Beethoven sneaks in a G7 chord that terminates the chromatic (half-step) movement in measure 69, leading to C Major, though not for long. A minor is promptly reinstated with a lovely dialog transpiring between treble and bass. (In counterpoint)

Not soon enough, the composer meanders back to the opening ROLLED chord which is the Dominant of D minor, the home key –and we are at the beginning again, with a REPEAT.

LINKS:

Part ONE: Beethoven Tempest Sonata in D minor

https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/

Part TWO Instruction

https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/

Part THREE Instruction

https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/

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Practicing tips for Beethoven’s “Tempest” Sonata, Op. 31 No. 2, Part ONE: (Video)

Because I found myself rambling on and on about the first page, I decided to compartmentalize the instruction to make it easier to absorb.

And since I played the “Tempest” years ago, the surest route to my restoring the piece to a respectable performance level, was to practice it from the ground up in slow tempo.

As I re-approached this Sonata, I relied heavily on CLUMPING or CLUSTERING groups of notes.

The opening two measures that resonate with a peaceful broken chord in the Dominant, are followed by a rapid stream of melodic seconds in a tempestuous descent. (The duality of the motif is clear)

In the video, I demonstrate a wrist forward motion as I clump the seconds which embody non-harmonic upper neighbor tones that are passing dissonances.

Clumping these 2nds (appoggiaturas) and throwing the wrist forward for each group of two allows a bigger and more effective energy to mobilize the passage.

It also helps with developing a “feel” for the composer’s keyboard landscape before advancing tempo.

The Video Instruction further amplifies: Part 1

LINK

PART TWO, Instruction, Beethoven “Tempest” Sonata

https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/

Another Beethoven Sonata landscape:

https://arioso7.wordpress.com/2011/10/12/practicing-a-difficult-section-in-beethovens-sonata-pathetique-op-13-movement-1-video/

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A video supplement to a Skyped piano lesson (Instruction for Minuet in G minor from Anna Magdalena Bach’s Notebook)

Following today’s Skyped lesson to Pennsylvania, I created a video to reinforce instruction pertaining to the “Minuet in G minor” from the Anna Magdalena Bach Collection. This composition is attributed to Christian Petzold.

My adult student wanted to study this piece which has challenging Baroque-style phrasing and articulation.

During our class time today we examined the need for a rolling wrist forward motion to execute larger groupings of notes. (This fluid approach avoids finger poking, and phrase distortion)

As it played out, related choreography was woven into the pupil’s Dozen and Day “Walking and Running” five-finger position warm-ups that were extended to 32nd notes in legato/staccato.

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Video supplements allow the student to revisit parts of her lesson and improve the quality of practicing during the week.

These are uploaded on You Tube as UNLISTED or can be marked PRIVATE if requested.

RELATED LINK:

SKYPING PIANO LESSONS

https://arioso7.wordpress.com/2012/03/30/skyping-piano-lessons-with-an-imac-logitech-cam-and-yeti-mic-videos/