Category Archives: You and the Piano Seymour Bernstein

Piano Technique: The dipping wrist, and how it defies convention (Videos)

One of my adult students echoed a belief that has resonated for generations in piano studios across the country, if not the world. The OLD school of thought was that you played piano with a rigid, arched hand, and if … Continue reading

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The joy and value of teaching a piano student over many years

Claudia, age 6 playing a duet with me I recall Elaine Comparone, the renowned harpsichordist having described a student she had mentored for 35 years before a move cut short a lasting musical relationship. “She was the real deal,” the … Continue reading

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Practicing knotty piano passages, and tips on how to avoid fatigue while boosting technique (Videos)

At my You Tube Channel site, I routinely pick up comments daily, and the majority center on piano technique. While I lay no claim to being an expert in this complex universe, my trial and error practicing over decades has … Continue reading

Posted in Baroque era music, Chopin, Chopin Nocturne in F Major Op. 15 No. 1, classissima, classissima.com, harmonic analysis, harmonic rhythm, how to boos piano technique, Martha Argerich, pianist, pianists, piano, piano instruction, piano instructor, piano lesson, piano lessons, piano lessons and parental support, piano masterclasses, piano pedagogy, piano playing and breathing, piano playing and phrasing, piano playing and relaxation, piano practicing, piano repertoire, piano repertoire for intermediate level students, piano student, piano students who drop out, piano studio, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano technique, piano technique and the singing tone, piano tutorial, piano world-wide, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Romantic era music, Romantic era piano repertoire, Romantic music, Scarlatti Sonatas, Scarlatti Toccata in d minor k. 141, Seymour Bernstein, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, Steinway M grand piano, Steinway piano, Teach Street, teaching piano, trills, Twenty five Progressive pieces by Burgmuller, videotaping a piano performance and self analysis, videotaping at piano lessons, whole body listening, whole body music listening, With your own Two Hands by Seymour Bernstein, word press, wordpress.com, You and the Piano Seymour Bernstein, You and the PIano Seymour Bernstein on You Tube, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Accept where you are in your piano studies, know your limitations, but still strive to improve (VIDEO)

This is my credo or philosophy that allows for imperfection without self-punishment. Yet students of all levels tend to invalidate their own performances despite growth spurts springing from dedicated practicing. Many have done all the layered learning steps, but have … Continue reading

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Horowitz plays Liszt’s Consolation No. 3 and why it’s so beautiful to our ears

Every so often a performance like this pops up on You Tube that allows the listener to reflect upon why the playing is so moving. This Romantic era composition, in slow tempo is no race to the finish line. The … Continue reading

Posted in Boris Berman Masterclass, Emotion and Meaning in Music, Just Being at the Piano by Mildred Portney-Chase, Leonard B. Meyer Emotion and Meaning in Music, Seymour Bernstein, Shirley Kirsten, Shirley Smith Kirsten, With your own Two Hands by Seymour Bernstein, word press, wordpress.com, You and the Piano Seymour Bernstein, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment