Peter started piano lessons from scratch about 1 and 1/2 years ago, not reading a note of music at the time, but having gads of enthusiasm about his maiden musical journey. Readers will be reminded of his earliest efforts playing Faber Piano Adventure duets with me. (I chose the Primer edition because it moved slower… Continue reading When an adult piano student advances well beyond Primer preliminaries
I sometimes offer a bit of counseling to my brood of adults who often fall into a pit of pervasive self-punishment. The beating up myself student, will often berate himself/herself for having played a scale or piece better before the lesson began. The pupil reasons, if only the teacher disappeared or never showed up, he/she… Continue reading Adult piano student stumbling blocks and overcoming them
I never cease to be amazed by a mutual discovery process that's ongoing between me and my adult students. Without our learning partnership, we would not have periodic awakenings that feed our reciprocal musical development. Case in point, is the attainment of Staccato refinement in its most crisp and animated form. In the past month,… Continue reading A Teacher/Student fueled discovery about Staccato playing
It's one thing to fly from California to New York, taking in awesome views from the plane. But would I lay back and lapse into surrendering a week of piano instruction just because I had a NYC based family obligation? No way! As long as I had my iPhone as backup, I would try to… Continue reading Piano Lesson from the Big Apple by iPhone!
Yu has been my Skype student for a few years now and she's made big gains in producing a singing tone with supple wrists, relaxed arms, and hand/finger weight transfer. Today she assiduously practiced her F# Major Scale and Arpeggio, energizing forearm and wrist staccato. Using "cupped hands" for her power driven forearm staccato on… Continue reading A London piano student fine tunes her F# Major scales and arpeggios (staccato and legato)
The theme of today's Online lesson beamed from North Carolina was following the decay of a note from the end of a phrase into the next measure with a thread of continuity. To have good conjunction between phrases one has to listen in two directions: from the before to the after, without forgetting the BEFORE.… Continue reading Good phrasing: listen for the decay, and psyche out your piano
My adult student, David, is a man for all seasons! He not only studies piano, with a penchant for the works of Bach, but he restores antique airplanes, and builds pianos. Add into the mix, his taking a ride in one of his personal airborne creations with a J.S. Bach soundtrack to accompany his soaring… Continue reading An Adult Piano Student who builds pianos and restores planes
Joyce Di Donato, "lyric-coloratura mezzo-soprano," is my model for trilling. In an embedded you tube video, the opera singer emphasizes the undulating character of a beautifully executed trill that leans on the upper note. (Too often pianists deliver a robotic stream of alternating notes that's shapeless and out of breath, ignoring an internal flow and… Continue reading Piano Technique: Trills and the vocal model
It's common for piano students to divide their scales into well-boxed rhythmic compartments, emphasizing the fundamental beat that interrupts a smooth flowing legato (connecting from note to note). Sometimes players are unaware of their reinforced "beat" counting impulses and need occasional reminders of what's communicated to the listener. (who happens to be the innocent bystander… Continue reading Piano Technique: Playing scales without bumps or accents
My latest awakening occurred during a piano lesson last night with a student who loves Bach and nearly dotes upon his compositions exclusively. And that's fine with me who's a companion traveler sharing a comparable love for the composer and his diversity of keyboard works. Invention 1 in C, BWV 772 is one of my… Continue reading Playing a Bach Invention: Say what you mean, and mean what HE said
