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Alessandro Deljavan is a uniquely gifted pianist

Sometimes winners of piano competitions are not true messengers of great musical artistry. They might succeed in pleasing a panel of judges who often reward interpretive conformity and convention bundled in pyrotechnical displays, bestowing the Gold medal upon the least offending contender. Yet such a career launch may be short-lived once the round-by-round environment is no longer a convenient safety net. A truly creative musician must ultimately emancipate himself from a competitive framing and develop an unbridled, form of individual expression.

Alessandro Deljavan is one of the few young pianists of his generation whose participation in the renowned Cliburn Competition brought singular adulation from audiences far and wide, but did not attach a Gold, Silver or Bronze Medal. His BIGGER THAN LIFE talent, LIVE-STREAMED from Fort Worth, Texas, in 2009 and 2013, drew a chorus of praise from pianists, teachers, and listeners around the world who enthusiastically mouse-clicked their way to his scheduled offerings. Yet, when the Italian pianist did not make the Finals, global sighs of outrage were funneled into Discretionary honors that would not soften international waves of disappointment.

Fort Worth arts critic, Gregory Sullivan and others summed up the reaction to Deljavan’s playing during the course of the Cliburn rounds:

“Deljavan’s performance was revelatory in every respect. Everyone in the hall knew that they were hearing something special-something wonderful from the very first notes. At the end, the spontaneous eruption of cheers was so different from the perfunctory ovation that any decent performance is awarded, that being part of the thrilled crowd was a unique experience in itself.”

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It’s no surprise that Deljavan is a virtuoso and poet of the piano without needing the rubber stamp of Competition juries. (Yet, he’s amassed a generous serving of first place awards at International concours)

With a mellifluous singing tone, deft technique, and immaculate phrasing, his deeply probing art serves the music and composer.

(I must admit to having shed tears listening to this Concerto excerpt) Deljavan’s riveting emotional connection to a score comes through in all style periods.

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I had a rare opportunity to converse with Alessandro who was in the Silicon Valley area (CA) performing chamber music with violinist, Daniela Cammarano, and cellist, Eugene Lifschitz. The group will showcase the works of Beethoven and Brahms at the School of Music and Arts at Finn Center, 230 San Antonio Circle, Mountain View, CA. Sunday, April 16th, 2017 at 3 p.m. Otherwise Deljavan is jet-setting around the world giving concerts to appreciative audiences.

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Alessandro shared his thoughts about the role of chamber music in the development of a pianist, along with providing a profile of his earliest exposure to the piano, journeying into the present.

LINKS:

Deljavan’s OFFICIAL WEBSITE: (Click “MEDIA” for more performance samples)

http://alessandrodeljavan.welltempered.com

Discography:

http://alessandrodeljavan.welltempered.com/#discography

https://arioso7.wordpress.com/2013/06/05/alessandro-deljavan-is-a-cliburn-winner-for-me/

Alessandro Deljavan, Bohzanov pianist, classissima, classissima.com, piano competitions, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com

Alessandro Deljavan is a Cliburn winner for me!

DeljavanOver at the Piano World forums, it’s the morning after selection of Cliburn Competition finalists, and many are aghast that a dynamic, soulful, and risk-taking pianist was overlooked.

Here’s what one poster said: “Competition winners are typically the reliable pianists somewhere in the middle when it comes to interpretation–those who don’t go out on a limb or offend the majority’s idea of good interpretation. Deljavan doesn’t fit this profile.” (He also included Claire Huangci in this category–to which I’m in agreement)

When I heard Alessandro Deljavan render the Schumann Fantasie, it felt as though he was the composer playing it. The pure fire, in the moment excitement, incredible virtuosity, left me breathless. It reminded me of hearing Gilels in Carnegie Hall when I was a kid. I nearly fell over the balcony in my unconstrained, impassioned embrace of such awe-inspiring artistry.

So very rarely does a pianist come along and rivet a listener to his every phrase. Too many are on the sidelines giving a “respectable” reading.

Flash forward to the competition ARENA in the Olympiad framing, and we have the judges penalizing the ones who may have a few note slip-ups, and go outside the M.M. (Metronome markings) These referees are fixated on petty details and not attuned to what counts.. COMMUNICATION!!!

Oh, and don’t forget to deduct points for FACE-MAKING! I must confess, to working on my Beethoven Pianos blog yesterday while listening to Alessandro–no image this time, and his playing soared well beyond any camera angle rendered at RING-side.

I can’t fathom in my wildest imagination why Deljavan was cut–sorry to be blunt—but I know he WILL move on to a great career regardless–same for Claire Huangci because they CONNECT with listeners and bring emotional depth to the competition, defying the NORM….

It’s been further emphasized that too many Gold winners at Cliburn have not progressed to major careers, so maybe this is a good omen for Alessandro and Claire (They join the Cliburn reject circle along with Evgeni Bozhanov who is thankfully out of the competition loop, serenading appreciative audiences world-wide)

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Now for a serving of Deljavan who is uncannily a celebrated CHEF, cooking for everyone on the Cliburn set. You gotta love him.

Incidentally, if anything is predictable in this competition cosmos, I’ll hedge my bets that Alessandro will land the AUDIENCE FAVORITE award (so I’m off to cast my vote!)

An off the cuff interview with Alessandro

LINKS:

Official Website: Alessandro Deljavan
http://www.alessandrodeljavan.com/

https://arioso7.wordpress.com/2013/06/03/seymour-bernsteins-riveting-statement-about-the-piano-competition-environment-and-what-changes-are-needed-2/